Robin Vincent is a journalist who writes for Sound On Sound magazine. With a focus on music technology and synthesizers, Robin covers topics such as gear reviews, modular synthesis techniques, software updates, and music production tips. His articles provide insights and guidance for musicians and producers looking to explore new sounds and enhance their creative process.
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Robin's coverage is heavily focused on product reviews and industry-specific content, particularly related to modular synthesizers, electronic music production, and music equipment. Given this focus, he would likely be most responsive to pitches involving new product launches or in-depth expert analysis of trends in the world of modular synthesizers and electronic music production.
As Robin covers a wide array of themes within his articles, it suggests that he may appreciate varied pitches that align with his diverse range of interests. It’s important for PR professionals to tailor their outreach specifically to the topics covered by Robin as they are listed above.
Since there is no specific geographic focus mentioned for Robin Vincent's coverage area, it can be assumed that his focus is not limited by geography.
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At some point, all of us spill out of our racks into a motley assortment of pedals and effects boxes.
Studio One Pro 7 is a solid upgrade with something for almost everyone.
‘One keyboard to rule them all' is very much the order of the day with Arturia's 3rd generation KeyLab.
Fred's Lab Manatee, the spectral desktop synth that you've been waiting for, is now on sale at Thomann.
Steampipe is a gorgeous-looking desktop machine that generates, reverberates and saturates up to 8 voices of physically modelled sounds.
By: Robin Vincent
Start Here: 1. 1. Pick one. * This question is required. I am a musician or performer I just want to work in the music business
By: Robin Vincent
Owners of the Erica Synth PERKONS HD-01 can look forward to a firmware update! Among other things, the new version allows you to import your own samples.
When many modules have over‑laden themselves with too many features, it's pretty refreshing to see something that just does one thing.
PreSonus Studio One: Tips & Techniques We put Studio One's new clip launcher through its paces.
The edginess of the filtered feedback loop is such that I don't feel like it's safe to leave it alone. Maybe that's why the knob record function is so useful, because you can push it to the brink, reel it back in and then let it keep doing that on its own. But for me, I like to interact and react to it, give the EQ some movement through the LFO and then dance around the feedback knob. The Echo Cinematic can make a weedy melody line sound huge, reanimate percussion lines and weaponise chords in fabulously groovy ways.
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