Rohan Naahar

Post Credits Scene: So cartoonish are its conflicts, so sloppy its structure, and so embarrassing its core philosophy that if you felt any guiltier for watching Dark Scroll, you'd probably have to come clean to your spouse.

Monsters - The Lyle and Erik Menendez Story review: Tonal indiscipline collides with high camp in Ryan Murphy's latest Netflix offering, which revisits a true crime case that had it all.

Monsters - The Lyle and Erik Menendez Story review: Tonal indiscipline collides with high camp in Ryan Murphy's latest Netflix offering, which revisits a true crime case that had it all.

His Three Daughters movie review: Elizabeth Olsen, Carrie Coon, and Natasha Lyonne play three sisters cooped up in a cramped apartment while their father dies in the room next door. It's a prickly, plot-lite film that relies more heavily on performances than most.

Wolfs movie review: Lacklustre writing leaves Brad Pitt and George Clooney stranded in a pit of mediocrity; you'll want to howl at the missed opportunity.

Mr McMahon review: There is a repetitive quality to the six-part Netflix documentary about the life and (alleged) crimes of Vince McMahon, which reduces it to a superficial recollection rather than an in-depth exploration.

Apartment 7A movie review: Starring Julia Garner, the horror movie plays less like the prequel that it was advertised as, and more like the beat-for-beat remake of Rosemary's Baby that it is.

Post Credits Scene: A miscast Janhvi Kapoor is given mediocre material to work with in an utterly miscalculated political thriller that could've been 50% better had it only stopped disrespecting its audience.

House of Spoils movie review: In Prime Video's horror offering, Oscar-winner Ariana DeBose plays an ambitious chef who sets up a new restaurant in a haunted mansion.

Post Credits Scene: Vikramaditya Motwane and Ananya Panday's considerable talents are wasted in CTRL, a thriller that takes a fresh approach to making stale observations about the world we live in.