Sampada Sharma is a Deputy Copy Editor for The Indian Express, with a focus on national news in India. Her articles explore various aspects of Indian cinema, including film analysis, cultural impact, and historical context. Sampada's work has also been featured in ScoopWhoop and Good Glamm Group.
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Sampada Sharma's coverage predominantly focuses on Bollywood and Indian cinema, with an emphasis on film analysis, entertainment news, and industry-specific insights. She appears to be interested in exploring the cultural and societal impact of movies, along with providing expert commentary and investment analysis within the context of the Indian film industry.
Given her focus on insightful analyses of films and their societal implications, she would likely appreciate pitches from experts who can provide valuable perspectives on trends or shifts within Bollywood. Additionally, individuals well-versed in the historical aspects of Indian cinema may also capture her interest.
As Sampada's geographic focus is national (India), she would specifically welcome pitches related to developments within the Indian film industry or those that have a direct impact on Bollywood.
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By: Sampada Sharma
Vishal Bhardwaj was first making Makdee with Children's Film Society, the institute that backed children's films in India, but they believed that the film didn't look like a children's film in the traditional sense, and rejected it.
By: Sampada Sharma
Vishal Bhardwaj was first making Makdee with Children's Film Society, the institute that backed children's films in India, but they believed that the film didn't look like a children's film in the traditional sense, and rejected it.
By: Sampada Sharma
Hum Aapka Hain Koun at 30: The Sooraj Barjatya film, starring Madhuri Dixit and Salman Khan, was a must watch for families of all sizes living in different parts of the country. So what was it about Hum Aapke Hain Koun that drew millions of people to the theatres?
By: Sampada Sharma
Mr and Mrs Mahi: These are the men who try to make the false promise of being a better man but they are so consumed by their idea of masculinity that they refuse to see their partners as individuals.
What made BJP's avowal of a score card depicting 400+ seats for NDA seem like an old wives' tale?
By: Sampada Sharma
Late director Sanjay Gadhvi knew that to make Dhoom a success, he needed a highlight every six minutes and he made sure that he stuck to that formula.
By: Sampada Sharma
Dev Anand loved the idea of love and didn't stop himself from falling in love over and over again. The actor had a colourful life but while he loved others, he never stopped loving himself.
By: Sampada Sharma
For Yash Chopra, who was a man from a different era, Shah Rukh Khan-Juhi Chawla-Sunny Deol's Darr stands out like a thorn in an otherwise beautiful bouquet of films.
By: Sampada Sharma
On Amitabh Bachchan's 82nd birthday, here's a reminder of the much loved Sooryavansham that continues to give much joy to the audience.
By: Sampada Sharma
Hema Malini faced a lot of opposition from her family when she declared her love for Dharmendra. But she chose to hold her ground and marry the man of her dreams.
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