Sara Holdren

How big a Get Out of Jail Free card does a movie-to-musical adaptation claim for itself when one of its characters — a video store owner who prefers

Moby-Dick as a rock musical in 100 minutes? It's the kind of proposition that suggests parody rather than serious-minded adaptation.

Shakespeare plays go through phases, like the moon. Or maybe they break out like rashes.

It doesn't take long to figure out that there's something not right in The Receptionist . At the start of Adam Bock's 2007 play — now in a revival

“Praise be the wrecking ball,” sings Kenita Miller at the start of Animal Wisdom , a spiritual autobiography tucked inside a requiem mass mixed with

First performed a decade ago by the composer-playwright (and MacArthur Genius) herself, this spectacular piece is now embodied by Kenita Miller.

In Eliana Theologides Rodriguez’s play, fathers who don’t really understand their daughters still try to do right by them.

If Eliana Theologides Rodriguez isn't in conscious conversation with certain plays and playwrights in her own immediate theatrical family tree — call

In the early '60s, the great scenic designer Ming Cho Lee was just starting to put his stamp on American stages, and he made some of his most

Xhloe & Natasha and Todd Almond’s Fringe imports, plus a bracing dose of anti-McCarthyism at City Center.