Sara Holdren

“Praise be the wrecking ball,” sings Kenita Miller at the start of Animal Wisdom , a spiritual autobiography tucked inside a requiem mass mixed with

In Eliana Theologides Rodriguez’s play, fathers who don’t really understand their daughters still try to do right by them.

If Eliana Theologides Rodriguez isn't in conscious conversation with certain plays and playwrights in her own immediate theatrical family tree — call

In the early '60s, the great scenic designer Ming Cho Lee was just starting to put his stamp on American stages, and he made some of his most

Xhloe & Natasha and Todd Almond’s Fringe imports, plus a bracing dose of anti-McCarthyism at City Center.

Two powerful new works trace the way we grow up and draw closer — or come apart.

Illustration: New York Magazine Shakespeare comes with a lot of baggage. He's big, he's white, he's dead, he wrote in an English that's not our own, and, oh, yeah, he's still The Best.

Daniel Sullivan’s Shakespeare in the Park production is smooth and well-executed but rarely urgent.

I don't know what Shakespeare did — or if he did anything more than live a life with the usual collateral damage — but his late plays make it clear

I don't know what Shakespeare did — or if he did anything more than live a life with the usual collateral damage — but his late plays make it clear