Don Aucoin is the Chief Theater Critic and Arts critic-at-large for The Boston Globe. With a focus on theater, film, and music, Aucoin explores the dynamic landscape of arts and entertainment, bringing insight into plays, musicals, and the film industry. He has been featured in The Boston Globe and Boston Globe Media.
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Boston, United States (Local)
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Don Aucoin's coverage is predominantly focused on entertainment news, particularly related to actors, TV shows, movies, theater, and musical productions. He regularly features event coverage, press releases, expert commentary pieces as well as profile features. When reaching out to Don Aucoin with story ideas or pitches, consider offering exclusive interviews with actors or industry insiders related to trending TV shows or upcoming movies. Providing unique insights into the behind-the-scenes aspects of theater productions may also pique his interest.
Given Don's local focus in Massachusetts and Boston while covering entertainment news stories that are not necessarily geographically bound by location but rather by their impact on popular culture at large within the United States context would be beneficial when considering pitching him relevant topics for potential coverage.
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The locally produced sitcom had a lot in common with James Burrows's sitcom classic
By: Don Aucoin
A state of absurdity is our present condition. Our permanent condition, too.
By: Don Aucoin
The craft of acting obviously demands a willingness to tackle challenges. It's the sine qua non of the job.
By: Don Aucoin
Too many exchanges in S. Asher Gelman's new play feel like dueling speeches rather than dialogue
STOCKBRIDGE – By titling their play “The American Five,” Chess Jakobs signals an emphasis on the “movement” part of the civil rights movement, spotlighting
LENOX – Stop me if you've heard this one: A woman who is lonely or stifled by personal circumstances either discovers or rediscovers life when a charming stranger awakens long-dormant passions.
“The Great Gatsby” is an inherently musical work. So much of what lingers in the mind's ear from F. Scott Fitzgerald's slender 1925 novel are the auditory sensations Fitzgerald evokes.
By: Don Aucoin
GLOUCESTER – When Harold Pinter's “Betrayal” premiered in 1978, much was made of the way he reshuffled the usual dramatic timeline by beginning his
Theater usually leaves the scary stuff to the movies. But “ Paranormal Activity ” is very much a work of the stage, its foundational origins
By: Don Aucoin
While his wife, Angie, was a minor character, Sal's callous treatment of her — and her winding journey to independence — made Angie a memorable figure in the HBO series
