Sarah Gopaul is a Film Editor-at-Large for Digital Journal. With a passion for cinema, Sarah provides insightful and detailed reviews of a wide range of films, from independent and foreign films to major Hollywood releases. Her expertise in analyzing storytelling, performances, and technical aspects of films allows her to offer a comprehensive perspective on the latest releases.
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Canada (National)
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Sarah Gopaul mainly covers reviews, focusing on theater, film, and book critiques. Her coverage spans diverse themes such as gaming, house & home, family & relationships, entertainment, and culture & society. She would be receptive to pitches involving unique or thought-provoking elements in the world of arts and entertainment.
Given her focus on reviewing various forms of media including theater productions, films and books across different genres and styles - she may be interested in receiving information about new releases or upcoming projects that offer a fresh perspective or unconventional approach.
Since Sarah's geographic focus is not specified but her topics cover a wide range of global interests within the arts and entertainment industry which suggests an international audience appeal for pitches related to her domain.
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‘Saturday Night' is a feverish account of the minutes before the famed sketch comedy show's first live broadcast
‘The Outrun' follows a young woman's difficult path to healing as she battles her alcohol addiction and bad memories
By: Sarah Gopaul
‘Joker: Folie à Deux' combines the title character's murder trial with a poorly concocted musical.
By: Sarah Gopaul
‘The Apprentice' is a high-level account of the start of Donald Trump's real estate career
‘Goodrich' follows a man who unexpectedly finds himself to be a single father, though temporarily
‘Smile 2' follows the curse as it's transmitted to a famous person who doesn't have the luxury of going crazy in private
‘Smile 2’ follows the curse as it’s transmitted to a famous person who doesn’t have the luxury of going crazy in private
‘Seeds’ follows a young woman as she launches a defence against an evil corporation trying to steal her family’s legacy
‘Conclave’ goes behind the curtain to glimpse the secretive and competitive process of choosing the next Pope
‘Venom: The Last Dance' isn't the send-off the pair deserve, but it does end in very dramatic fashion
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