Sean Burns is a Film Critic at various esteemed publications. His work encompasses a diverse range of topics including the film industry, filmmaking, sports, and events, reflecting his expertise in arts and entertainment as well as sports business. Sean's insights have been featured in notable outlets such as EDUCAUSE, NPR Illinois, and Frieze.
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Sean Burns focuses on reviewing and covering local film events in the Boston, Massachusetts area. He particularly emphasizes American cinema, film editing, and retrospectives. If you have insights into local film industry events or can offer expert commentary related to American cinema or specific films being showcased in the Boston area, your pitches are more likely to catch his attention.
As a critic who provides opinions and exclusive coverage of cultural events, Sean may also be interested in receiving pitches that tie relevant societal or cultural topics with current films being featured at local venues.
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By: Sean Burns
It takes a little while to get acclimated to what Christopher Nolan is doing with “The Odyssey.” It's a sword-and-sandal epic without any of the Hollywood pageantry, attempting to ground these heroes of Greek myth in a tactile, workaday reality.
A sparse yet charged exhibition at Phillida Reid, London, sees the artist unsettle his minimalist language to confront urgent political conflicts
The mighty twin Philips Norelco DP-70 film projectors at the Somerville Theatre are busy these days, screening “ The Odyssey ” in 70mm all afternoon and evening in the venue's massive, 840-seat auditorium.
Ross McElwee didn't invent the first-person documentary, but he made the format his own.
The owl was just sitting there in the middle of the sidewalk on Fifth Avenue across from Bergdorf Goodman and the Plaza Hotel.
By: Sean Burns
Executives from TicketNetwork, Gametime, TickPick, AXS, Automatiq and SeatGeek said artificial intelligence will change ticket discovery and distribution, while placing greater importance on fulfillment, integrations and consumer trust.
By: Sean Burns
Advocates at the World Ticket Conference said most resale price-control proposals failed to advance in 2026, preserving consumer choice and marketplace competition as the industry prepares a more affirmative legislative agenda.
Director Matt Johnson's surprisingly solid Anthony Bourdain biopic “Tony” begins with a typically self-deprecating quote from the superstar chef's
By: Sean Burns
“It's so… academic,” sighs Gillian Anderson's reclusive actress Billy Presley in writer-director Jane Schoenbrun's “Teenage Sex and Death at Camp
When Catherine O'Hara died in January at the age of 71, the obituaries all led with “Home Alone.” It's understandable.
