Sean Fennessey is the Head of Content at Sean Fennessey. He focuses on arts and entertainment, with a particular emphasis on film and cinema, exploring topics such as plays and musicals, home and garden, house design, and interior design. His work has been featured in publications including Habitusliving, est living, Knowledia, GQ Magazine, Newswav, The Ringer, and Broadsheet Media.
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Sean Fennessey's coverage is heavily focused on entertainment news, particularly movies and the film industry. His articles feature expert commentary, event coverage, and opinion editorial pieces related to movie reviews, rankings, discussions, and awards shows such as the Golden Globes.
If you are looking to reach out to Sean Fennessey with a pitch or expertise in this area, it would be beneficial to provide insights into upcoming movies or events in the film industry. Additionally, if you have unique perspectives on movie reviews or rankings of films that may interest his audience based on his previous works.
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The Knicks are NBA champions and my heart is open. Let’s go to the cinema.
‘Supergirl’ is the first new comic book film in 11 months. Let's take a moment to reflect.
‘Artificial,’ Luca Guadagnino’s controversial OpenAI drama, was dumped by Amazon and scooped up by Neon when all others passed. Should we hail the distributing hero?
Olivia Wilde’s ‘The Invite’ is a timeless examination of long-term relationships. It’s also a generational text. Are there any other films by and for Millennials that nail them quite so well?
‘Moana’ is the latest Disney live-action remake to fail to connect with audiences. What was once a den of creativity has become a house of wax.
By: Sean Fennessey
Coincidentally, ‘Avengers: Doomsday’ is coming soon. Why does it look like a Super Bowl commercial for crypto?
By: Sean Fennessey
And some other stray thoughts before I disappear for vacation
August is the new Dumpuary and also the most interesting movie month of the year. Why are both things true?
By: Sean Fennessey
Twenty-five years since it first appeared, the independent, low-budget series of quasi-improvised, talky films continues to resonate in surprising ways throughout movie culture.
By: Sean Fennessey
Fielder and Lance Oppenheim’s surprise film about Elizabeth Holmes stunned Telluride. Could it change the art form?
