Shawn Donohue is a journalist at Glide Magazine. He specializes in arts and entertainment, with a particular focus on theater and music, including various music genres and the music business. Shawn's insightful commentary and analysis have been featured in Glide Magazine, where he explores the vibrant landscape of the arts.
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Shawn Donohue's review-focused articles primarily cover music and album reviews with a particular emphasis on live shows in New York City. He seems to have a strong interest in indie and punk rock, often featuring lesser-known artists alongside established acts.
Given his focus on showcasing performances at local venues, reaching out with information about upcoming gigs or exclusive interviews with musicians performing in NYC could be an effective approach. Additionally, providing insights into the indie and punk rock scene within New York City would likely capture his attention.
It's worth noting that Shawn has covered gaming-related content as well; therefore, if you're pitching entertainment news related to this area or relevant events happening locally in New York City, it might also pique his interest.
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By: Shawn Donohue
The California-based artist Sam Blasucci primarily recorded his newest solo effort, Black Rose, at night, and that is the best time to experience it as well. The dreamy, cascading feeling drifts on the edge of darkness as Blasucci’s tunes cascade into the ether.
By: Shawn Donohue
To celebrate 30 years since its 1996 debut, Ween has spruced up their 12 Golden Country Greats album with a remastering while also adding over 20 unreleased demos and Nashville outtakes. This Deluxe Edition is a treasure trove for Ween fans, as well as an earnest, slightly off-kilter country album with moments of beauty alongside some crass lyrics.
By: Shawn Donohue
It has been six years since the GRAMMY-nominated artist Somi Kakoma released a collection of original songs, as she spent that time immersed in theater and multidisciplinary performance. Now returning to her first love, songwriting/singing, she looks inward on the lush What Does It Take to Bloom?, a multitiered effort rooted in jazz, Ghana-based highlife, and theatrical grandeur.
By: Shawn Donohue
Coming from a historic lineage, The Womack Sisters’ self-titled debut album is a throwback to the heyday of soul. Expansive and luxurious, focused on interlocking, ardent vocals, the trio of Kucha, Zeimani, and BG makes a strong career opening statement with these eleven efforts.
By: Shawn Donohue
The debut solo record from Mike D, Thank You, is a neon-tinged, electro workout that zips from beats to swirling synths as the legendary MC rhymes, toasts, shouts, and sings across a constantly shifting sonic landscape.
By: Shawn Donohue
The consistently great Dinosaur Jr. has released another solid slice of buzzing tunes with There Near. Ever since the original lineup reunited with 2007’s Beyond, Dinosaur Jr. has offered up dependable collections of sizzling, guitar-driven rock and roll. There Near continues that trend.
By: Shawn Donohue
Jim James’ first solo album in eight years finds him dealing with human disconnection in an age of chronic overstimulation. He uses a term he coined to describe this feeling as the title, Wowed Out.
By: Shawn Donohue
The first album in eleven years from the Alabama Shakes, I Must Be Dreaming, is a laid-back slice of psychedelic soul. This comeback record is a bit one-note and safe, but it is hard to fault the band for sinking into the warm groove once the songs start to flow.
By: Shawn Donohue
The Go’s debut, 1999’s Whatcha Doin’, was released on Sub Pop, and when it came time for the Detroit-based rock act to submit a follow-up, they offered Free Electricity in 2001. Things did not go as expected when the label rejected the album, leading the band to move to the Lizard King label and release a completely different self-titled offering two years later. Twenty-five years later, Sub Pop has decided to release Free Electricity as it was submitted, steeped in free jazz and scuzzy rock and roll.
By: Shawn Donohue
For over twenty years now, Pokey LaFarge has been delivering his version of retro-Americana. That journey continues with Rent Money, a collection of
