Shawn Donohue is a journalist at Glide Magazine. He focuses on the music business, exploring various music genres and delving into event management software and platforms. His insights and analyses on these topics have been featured in Glide Magazine.
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Shawn Donohue's review-focused articles primarily cover music and album reviews with a particular emphasis on live shows in New York City. He seems to have a strong interest in indie and punk rock, often featuring lesser-known artists alongside established acts.
Given his focus on showcasing performances at local venues, reaching out with information about upcoming gigs or exclusive interviews with musicians performing in NYC could be an effective approach. Additionally, providing insights into the indie and punk rock scene within New York City would likely capture his attention.
It's worth noting that Shawn has covered gaming-related content as well; therefore, if you're pitching entertainment news related to this area or relevant events happening locally in New York City, it might also pique his interest.
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By: Shawn Donohue
On the first two Fantastic Cat records, the quartet of singer-songwriters (Anthony D’Amato, Brian Dunne, Don DiLego, and Mike Montali) brought their own styles successfully into a band setting.
By: Shawn Donohue
For over forty years, Brooklyn’s They Might Be Giants have been crafting earwormy art rock that toys with genres, targeted age groups, and educational endeavors. For their 24th album, The World Is to Dig
By: Shawn Donohue
Graceland Way, the newest release from harpist-singer-songwriter Mikaela Davis, finds the artist luxuriating in the Los Angeles sunshine, delivering a modern Laurel Canyon pop-rock style, influenced by the famous location’s late 70’s heyday.
By: Shawn Donohue
The first new Social Distortion record in fifteen years almost never came to be, as midway through recording, Mike Ness was diagnosed with tonsillar cancer. After chemotherapy, his recovery prompted the completion of Born To Kill, an incredibly solid rock/punk album considering all the circumstances surrounding it.
By: Shawn Donohue
Ghalia Volt’s sixth album, Burn The House Down, was recorded in Nashville as Volt expanded her sound from her previous one-woman band style. Returning to the raw blues sound that first brought her attention, Volt sings with fire and plays with confidence on the satisfying record.
By: Shawn Donohue
For his eighth studio album, Little Wide Open, Kevin Morby opened his ears to his midwestern upbringing, inhaling everything from insects to tornado sirens. Those sonic influences are exhaled in a mix of tense/fluid Americana altered by his current Los Angeles surroundings and the Upstate New York studio where he recorded.
By: Shawn Donohue
Bruce Springsteen’s emotionally charged, politically angry, and incredibly moving Land of Hope and Dreams tour pulled into Brooklyn’s Barclays Center on a gorgeous spring night, Thursday, May 14th.
By: Shawn Donohue
Les Claypool has been a busy man to start 2026, with an upcoming nationwide tour, releasing a new double album with The Claypool Lennon Delirium, a new EP with Primus, and now comes another release, Return of the Live Frogs: Volume 1. Back in 2023, Les strapped back on his Colonel persona to revamp his Fearless Flying Frog Brigade for an amazing tour. This release is a reminder of that magic.
By: Shawn Donohue
The Nashville, TN-based rock outfit All Them Witches almost called it quits in 2024 when drummer and founding member Robby Staebler left, but the group recalibrated, bringing on their friend Christian Powers to man the kit. This lineup change reinvigorated the collective and put them on the path to develop their newest offering House of Mirrors.
By: Shawn Donohue
They Might Be Giants brought The Bigger Show Tour into their home base of Brooklyn on Thursday night, May 28th, to kick off a three-night stand at Brooklyn Steel. The first show was the only non-sold out night of the run, as the diverse crowd filled in as the band went on promptly at 8pm.
