Shawn Donohue is a journalist at Glide Magazine. He specializes in arts and entertainment, focusing on music genres, the music business, and entertainment news, often exploring the vibrant intersections of theater and various forms of artistic expression. Shawn's insightful commentary and reporting have been featured in Glide Magazine.
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Shawn Donohue's review-focused articles primarily cover music and album reviews with a particular emphasis on live shows in New York City. He seems to have a strong interest in indie and punk rock, often featuring lesser-known artists alongside established acts.
Given his focus on showcasing performances at local venues, reaching out with information about upcoming gigs or exclusive interviews with musicians performing in NYC could be an effective approach. Additionally, providing insights into the indie and punk rock scene within New York City would likely capture his attention.
It's worth noting that Shawn has covered gaming-related content as well; therefore, if you're pitching entertainment news related to this area or relevant events happening locally in New York City, it might also pique his interest.
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By: Shawn Donohue
The multi-faceted artist Lara Downes has spent the last two years traveling throughout the USA, searching for what it means to be American today. One piece from that search is the (mostly) solo classical piano offering Hold These Truths, which finds Downes covering various composers of the past and present in her own unique style.
By: Shawn Donohue
Following up on his surprise success, 2024’s raw, hard-rocking No Name, Jack White toured the world, delivering fiery performances with a tight band. He decided to take that group into Third Man Nashville’s studio to record this blazing follow-up, his seventh solo effort, Frozen Charlotte.
By: Shawn Donohue
The NYC-based post-hardcore collective Show Me The Body blast out of speakers, growing with confidence, power, and adulthood as Alone Together finds the band crafting a cohesive full-length that focuses on their strengths as a fearless unit.
By: Shawn Donohue
On a hot, humid summer evening in July, Rumsey Playfield in the heart of NYC’s Central Park welcomed a trio of indie groups for a night of rock as Spoon, Ratboys, and Bodega played a free show. The packed SummerStage crowd was a mix of World Cup tourists, die-hard fans, Brooklyn hipsters, and curious park wanderers.
By: Shawn Donohue
The 85-year-old Bob Dylan’s Long Hot Summer Tour pulled into Forest Hills Stadium on Tuesday night, July 21st, amid a flurry of insane weather. Tornado warnings blanketed the tri-state area, as did flash flood warnings, as a volatile mix of uncertain atmospheric activity hovered over the venue. Other NYC-based events (Yankees, Dave Matthews at Jones Beach) were canceled, but this show went on.
By: Shawn Donohue
The newest offering from pianist/composer Marco Benevento, Glera, finds the artist expanding his sonic palette, working with different vocalists to score the retro Italian movies playing in his head.
By: Shawn Donohue
The California-based artist Sam Blasucci primarily recorded his newest solo effort, Black Rose, at night, and that is the best time to experience it as well. The dreamy, cascading feeling drifts on the edge of darkness as Blasucci’s tunes cascade into the ether.
By: Shawn Donohue
To celebrate 30 years since its 1996 debut, Ween has spruced up their 12 Golden Country Greats album with a remastering while also adding over 20 unreleased demos and Nashville outtakes. This Deluxe Edition is a treasure trove for Ween fans, as well as an earnest, slightly off-kilter country album with moments of beauty alongside some crass lyrics.
By: Shawn Donohue
It has been six years since the GRAMMY-nominated artist Somi Kakoma released a collection of original songs, as she spent that time immersed in theater and multidisciplinary performance. Now returning to her first love, songwriting/singing, she looks inward on the lush What Does It Take to Bloom?, a multitiered effort rooted in jazz, Ghana-based highlife, and theatrical grandeur.
By: Shawn Donohue
Coming from a historic lineage, The Womack Sisters’ self-titled debut album is a throwback to the heyday of soul. Expansive and luxurious, focused on interlocking, ardent vocals, the trio of Kucha, Zeimani, and BG makes a strong career opening statement with these eleven efforts.
