Siddhant Adlakha is a freelance journalist who writes for various publications including Mashable, Variety, Polygon, and The Daily Beast. His work covers a range of topics including film and television reviews, cultural analysis, and entertainment news. Siddhant's writing has also been featured in Vulture, Knowledia, IGN Entertainment, Inverse, IndieWire, and Truthdig.
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Siddhant Adlakha's coverage is primarily focused on providing reviews of films and entertainment content, with a specific emphasis on film analysis. This suggests that he would be most interested in receiving pitches related to film reviews, cultural yearning depicted in cinema, and sports dramas.
Given the focus on detailed review articles, Siddhant may appreciate pitches from individuals who can offer unique insights or behind-the-scenes information about the making of films. Pitches could also center around interviews with directors, actors, or other key figures involved in creating the type of content Siddhant covers.
It's important to note that Siddhant does not have a specified geographic focus but appears open to covering entertainment news from various regions globally.
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Marvel's biggest influence on Indian blockbusters isn't how they're made, but how they're sold
By: Siddhant Adlakha
'Heretic' is a religious horror-thriller that throws everything at the wall, even with nothing on its mind. Read our 'Heretic' review.
By: Siddhant Adlakha
The 'Babel' DP's first feature as a director hops back and forth in time to transition between crime drama and surreal ghost story.
The actress, who plays Mrs. Chen, sat with film critic Siddhant Adlakha to talk about "Venom: The Last Dance" and her co-star Tom Hardy.
Ridley Scott retreads his Oscar-winning classic with a purpose.
By: Siddhant Adlakha
Photo Source: Aidan Monaghan A lot has changed in the 24 years since Ridley Scott's “Gladiator” graced our screens, both in filmmaking technology and in the real world.
By: Siddhant Adlakha
Based on the August Wilson play about the complex weight of Black lineage, Malcolm Washington's feature-length directorial debut, The Piano Lesson , fittingly breaks a family curse.
By: Siddhant Adlakha
Malcolm Washington goes beyond the edges of August Wilson's Pittsburgh drama.
By: Siddhant Adlakha
O n May 26, India's Prime Minister Narendra Modi congratulated filmmaker Payal Kapadia on the Cannes success of All We Imagine as Light , her drama slated for U.S. release on Nov. 15.
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