Steve Horowitz is an Associate Analyst for PopMatters, a publication that covers a wide range of cultural topics including music, film, and literature. Steve's articles focus on music reviews and features, with a particular interest in exploring various genres and highlighting emerging artists.
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Steve Horowitz primarily covers music reviews and entertainment news, focusing on various aspects of the music industry. If you are a musician, songwriter, or music producer with an upcoming release or event, reaching out to Steve could be beneficial for getting your work reviewed and gaining exposure.
As his coverage is review-heavy, consider offering him exclusive access to new releases or behind-the-scenes insights into the creation process. This can help capture his interest in providing a detailed critique based on firsthand experiences.
Since he doesn't have a specific geographic focus mentioned, it's advisable to approach him regardless of location when pitching relevant content within the music industry.
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Canadian roots rocker Jeff Rogers went to Muscle Shoals to record Dream Job. He and his band carve out nine tracks of bluesy piano-centered rock.
Bolis Pupul’s Chinese touches on Western dance beats are enticing. He belongs to both worlds and appreciates the connections and juxtapositions between them.
Americana/country singer-songwriters Kelly Willis, Melissa Carper, and Brennen Leigh team up for the Wonder Women of Country and release their first EP.
The Wandering Hearts' music evokes blue skies and slow road trips with friends, train rides, and walks in the country. It's solitary and reflective.
Scott Ballew's metaphysical life lessons entertain us like a good movie with a cliffhanger ending. One doesn't know what happens next—and that is the point.
Singer-songwriter Dawn Landes performs classic folk songs of struggle. Women’s rights are the unalienable ones we all share. Anything else is inherently wrong.
All we have is each other. Let's dance and fall in love, for what else is there? Reyna Tropical's Malegría provides the soundtrack.
On All Born Screaming, St. Vincent suggests the end of life is really just a new beginning. Love is the purpose. There is no joy without pain.
Folkie Chris Smither always knew that nothing would last forever, but the passage of time showed him the importance of appreciating the good things in life.
Earlier, Camera Obscura contrasted their mocking pessimism of adult life with innocence. The group may still be twee, but their sneer has become more of a frown.
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