Susan Mansfield

Not too earnest, not too flippant, the V&A’s exploration of catwalk history gets the tone just about right, writes Susan Mansfield

A suitcase of imagined items conjures up one woman’s poignant history reflecting the greater migrant experience, writes Susan Mansfield​

In their Scotland + Venice exhibition Shame Parade, artistic duo Bugarin + Castle explore medieval public shaming rituals from a contemporary queer perspective, writes Susan Mansfield

The best work in this year’s Duncan of Jordanstone Degree Show manages to be personal while also remembering its audience, writes Susan Mansfield

There is a particularly broad spectrum of media in use in this year’s supersized Gray’s Degree Show, writes Susan Mansfield

At a time when Glasgow’s art scene seems to be under attack from all sides, the Glasgow International festival offers a timely reminder of what makes it special, writes Susan Mansfield

Some of the highlights of this year’s Glasgow International are to be found in unlikely locations, writes Susan Mansfield

Andrea Wulf tells Susan Mansfield why George Forster, Captain Cook’s naturalist, was so far ahead of his time

Andrea Wulf tells Susan Mansfield why George Forster, Captain Cook's naturalist, was so far ahead of his time

From politics to psychotherapy, this year's EIBF non-fiction strand has something for everyone, writes Susan Mansfield