Susan Mansfield

From Scotland’s entry to the Venice Biennale to celebrations of work by Joan Eardley and Kenneth Dingwall, there’s a lot to look forward to in 2026, write Susan Mansfield and Duncan Macmillan

Rae-Yen Song 宋瑞渊 drew on family stories to create the fantastical large scale works currently filling Tramway, writes Susan Mansfield

At a time when attention spans are growing ever shorter, the new exhibition at Talbot Rice invites us to look, listen and learn at a slower pace, writes Susan Mansfield

Juxtaposing the works of a great with those of artists she enjoyed helps us appreciate her talent and craft even more, writes Susan Mansfield

Juxtaposing the works of a great with those of artists she enjoyed helps us appreciate her talent and craft even more, writes Susan MansfieldJoan

This year’s slew of environment-themed exhibitions continues with two thoughtfully curated group shows, writes Susan Mansfield

Not too earnest, not too flippant, the V&A’s exploration of catwalk history gets the tone just about right, writes Susan Mansfield

A suitcase of imagined items conjures up one woman’s poignant history reflecting the greater migrant experience, writes Susan Mansfield​

In their Scotland + Venice exhibition Shame Parade, artistic duo Bugarin + Castle explore medieval public shaming rituals from a contemporary queer perspective, writes Susan Mansfield

The best work in this year’s Duncan of Jordanstone Degree Show manages to be personal while also remembering its audience, writes Susan Mansfield