Susannah Clapp is a journalist and theatre critic who writes for various publications including The Guardian, Yahoo Sports UK, London Review of Books, and Yahoo Sports Canada. With a focus on theatre reviews and cultural commentary, Susannah provides insightful analysis and commentary on the latest productions and cultural events.
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Susannah Clapp's focus is predominantly on theater, with a strong emphasis on reviews and event coverage. She would be most receptive to pitches related to upcoming or ongoing theatrical productions, particularly those that stand out for their creativity, performances, or cultural relevance.
Given her extensive review content, she may appreciate pitches related to new and noteworthy plays, actors' performances in theater productions, or insights into emerging trends within the theater world. Additionally, she might also be interested in exclusive interviews with directors or performers from notable productions.
As Susannah Clapp has a clear focus on theatre and entertainment news without specific geographic constraints mentioned, consider pitching stories about impactful global trends in the theatre industry that transcend geographical boundaries.
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The murder reflected in a pair of spectacles, the merry-go-round that whirls out of control, the hand waving through the grille of a drain.
By: Susannah Clapp
Long Day's Journey Into Night shoulders itself on to the stage: shaggy, heavy-footed, a creature of the last century. Yet braying prophetically.
W hen I complain it is sexist, the men on the door think I am having a laugh. Every week before being allowed into a theatre I have to prove I’m not dangerous by opening my bag for inspection. Meanwhile my male companion is invariably waved through – though that bulge in his pocket could be a knife.
All of London life doesn’t quite materialise in an epic take on Dickens with music by PJ Harvey; a university reunion digs deep at the Almeida; and a 17th-century witch hunt comes alive in an Edinburgh hit
Richard Jones’s supercharged staging of Sophie Treadwell’s 1920s masterpiece hits like a fist; Emma Rice subverts a dark fairytale with circus gaiety; and a young couple unravel beautifully in Bijan Sheibani’s latest
By: Susannah Clapp
A new era at the RSC opens with a potent staging by Emma Rice and Hanif Kureishi of his classic everyman tale and a clever take on Shakespeare’s comedy that cuts through the verbiage – with help from a Bridgerton stalwart
By: Susannah Clapp
The aged servant steals the show in a fast-paced 21st-century Chekhov, Max Webster’s dystopian sci-fi dazzles the eye, and a campaigning drama is tender and furious
By: Susannah Clapp
Bruce Robinson’s new adaptation of his cult film is too theatrical by half; the latest staged Studio Ghibli fantasy is more effects than feeling; and all hail Isabelle Huppert’s many Marys in Robert Wilson’s magical production
By: Susannah Clapp
Jamie Lloyd’s youthfully intense staging gives us a Juliet for the ages; Michelle Terry’s king rises above the disability row; and the European premiere of a Broadway musical rocks but doesn’t soar
Katie Mitchell directs and Ben Whishaw stars, while David Byrne’s new reign at the Royal Court gets off to a cool start. And Denise Gough is unmissable in a blazing revival of Duncan Macmillan’s addiction drama
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