Susannah Clapp is a journalist and theatre critic who writes for various publications including The Guardian, Yahoo Sports UK, London Review of Books, and Yahoo Sports Canada. With a focus on theatre reviews and cultural commentary, Susannah provides insightful analysis and commentary on the latest productions and cultural events.
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United Kingdom (National)
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Susannah Clapp's focus is predominantly on theater, with a strong emphasis on reviews and event coverage. She would be most receptive to pitches related to upcoming or ongoing theatrical productions, particularly those that stand out for their creativity, performances, or cultural relevance.
Given her extensive review content, she may appreciate pitches related to new and noteworthy plays, actors' performances in theater productions, or insights into emerging trends within the theater world. Additionally, she might also be interested in exclusive interviews with directors or performers from notable productions.
As Susannah Clapp has a clear focus on theatre and entertainment news without specific geographic constraints mentioned, consider pitching stories about impactful global trends in the theatre industry that transcend geographical boundaries.
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Fresh talent shines, though nuance could try harder, in a 20th anniversary revival of Alan Bennett’s glinting schoolroom comedy
By: Susannah Clapp
Reality is up for debate in Tife Kusoro’s rapid-fire new drama, David Eldridge’s nuanced take on John le Carré, and Tom Stoppard’s most loving play
By: Susannah Clapp
Ben Whishaw and Lucian Msamati add star power to James Macdonald’s thoughtful Beckett; David Oyelowo’s Coriolanus is dwarfed by epic staging; and an Elvis Costello-scored musical has too few high notes
John Lithgow as Roald Dahl towers over Nicholas Hytner’s production of an extraordinary debut play; Morfydd Clark finds her voice in a Wesker revival; and a John Osborne staging is a step backward
By: Susannah Clapp
Mark Strong and Lesley Manville transfix as Robert Icke wires Sophocles into the present; Adrien Brody excels in a sharp prison drama; and how not to update a Jacobean masterpiece
By: Susannah Clapp
Over five hours, John Galsworthy’s family epic unfolds with intimate clarity on an almost bare stage. At the RSC, Emilia and Desdemona steal the show
By: Susannah Clapp
In her new book the acclaimed actor imagines what the Bard’s female characters might have said if they had had the chance
By: Susannah Clapp
In a week of underused talent, Steve Coogan, Armando Iannucci and Sean Foley merely recreate Kubrick’s satire; Lily Collins totters through a bland night in Spain; and Ruth Negga graces a trance-like hour
By: Susannah Clapp
Jethro Compton’s folky Cornish musical sweeps into the West End with fiddles and fudge; writer Ché Walker plays a fiery ex-con on a mission; and new ghost stories offer more charm than alarm
By: Susannah Clapp
Sigourney Weaver’s Prospero is all at sea in Jamie Lloyd’s overblown West End Shakespeare; War and Peace the musical really works; and the immersive theatre sensation is back in town
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