Thu-Huong Ha is a culture critic specializing in Japanese art, literature, and popular culture. Her work can be found in The Japan Times and she has also been featured in WIRED. Thu-Huong's articles explore the intersection of art, politics, and society, providing insightful commentary on contemporary Japanese cultural trends and events.
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Japan (National)
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Thu-Huong Ha's coverage primarily centers around lifestyle and entertainment news, with a specific focus on art, literature, cultural events, and Japanese American internment. She often provides in-depth event coverage and seeks expert commentary.
If you're looking to reach out to Thu-Huong Ha with a pitch or as a potential source, consider offering insights into the intersection of art or literature with cultural or political events taking place in Japan. Additionally, if you have expertise in Japanese American history or contemporary Japanese culture and can provide valuable commentary on these topics within an artistic context, it may be of interest to her.
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The American dream promises upward mobility. In Japan, newcomers forge their own dreams.
Last Thursday, Japan's Meteorological Agency issued its first-ever alert for a once-in-a-century megaquake along the Nankai Trough.
The Pop Art pioneer passed away at age 88 on Aug. 9. His posthumous retrospective, “Adventures in Memory,” turns nightmare into fantasy.
In “Under the Eye of the Big Bird,” Hiromi Kawakami creates a new speculative future for humanity.
Overnight, U.S. television show “Shogun” has gone from contender to champion. On Sunday, the show set at the end of Japan's Sengoku Period received
Fram Kitagawa’s Northern Alps Art Festival embraces its inconvenient location and the natural elements.
“It is really the anger that makes me work,” Louise Bourgeois said in the 2008 documentary “The Spider, the Mistress, and the Tangerine.”
We know a hero when we see one: He (of course) will be the one who doesn't need a map or app to know the way, who's barreling ahead of the pack into the unknown, unburdened by rules or mores.
After a banner year at the Venice Biennale, the creator of jazzy kinetic sculptures opens her first large-scale exhibition in Japan.
Come the end of the year in Japan, there's a rush on cleaning services, straw decorations and boxed osechi ryōri (traditional New Year's cuisine) . But
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