Tiffany Babb is the Deputy Editor at PopverseSays and the co-editor of PanelxPanel, which has won an Eisner Award. She is also the author of "A List of Things I've Lost" from Vapoetry. Tiffany's work focuses on pop culture, including articles on movies, TV shows, comic books, and conventions.
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Tiffany Babb's coverage primarily centers on entertainment news, with a focus on popular culture such as comic conventions, movies, and TV shows. Given the nature of her articles and event coverage attributes, she may be interested in receiving pitches related to upcoming events or exclusive content from the world of pop culture.
As Tiffany's geographic focus is not specified but her topics are more globally relevant, it would be beneficial to provide insights that have international appeal or discuss trends within global entertainment industries.
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By: Tiffany Babb
Grey's Anatomy showrunner teases season 21, "I think you're going to be happy"
By: Tiffany Babb
Colman Domingo has been announced as Norman Osborne in Marvel Animation's Spider-Man series
By: Tiffany Babb
Marvel Studios' Eyes of Wakanda MCU series is welcoming in the Iron Fist legacy
By: Tiffany Babb
Percy Jackson and the Olympians casts its Gray Sisters
By: Tiffany Babb
We saw some early Daredevil: Born Again concept art, here's what it looked like
By: Tiffany Babb
Grey's Anatomy showrunner talks keeping the 20 year old hit fresh
By: Tiffany Babb
Toby Stephens reveals how his past in Black Sails got him the job in Percy Jackson - and how his son sealed the deal
By: Tiffany Babb
Marvel Studios' Ms. Marvel power visuals were directly inspired by gaming (and she was almost a Twitch streamer)
By: Tiffany Babb
Grey's Anatomy actor Caterina Scorsone shares why "Life will out" is central to the show
By: Jared Bird, Paul Tremblay, Heidi MacDonald, Hilary Leung, Tiffany Babb, Acky Bright, Justin Guerrero
Horror Movie, published in June by William Morrow Publishing, tells the story of a 90’s film set known for being ‘cursed’, and how protagonist The Thin Kid has been stuck in the shadow of it for most of his life. Like all of Tremblay’s other work, it’s deeply realistic, very focused on its themes and ambiguous a lot of the time. If you like his work, you will like this book. I only recently discovered Tremblay myself, but have since come to view this book as one of his best. There’s a lot of genuine sadness here, as well as two particularly unnerving scenes which I will be thinking about for a long time to come. One involves a character waiting alone in the dark for over five minutes, and it’s told in a way that’s stomach-churning. Also like Tremblay’s other works, this book experiments with the literary form. It’s got flashbacks, flashforwards, and most strikingly, the entirety of the film’s script. I imagine these script sections are not for everyone, but I found them to be a fascinating and awesome layer to the novel, fleshing out the cursed film being made as well as providing the characters with development.
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