Tobias Carroll is a journalist at InsideHook. He covers a diverse range of subjects including literature, soccer, and the hospitality industry, with a keen interest in uncovering the connections between various creative disciplines. Carroll's work has been featured in numerous outlets such as the Los Angeles Times, Pitchfork, and the New York Times.
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Tobias Carroll's coverage primarily focuses on entertainment news and culture & society. He often cites data, provides event coverage, and incorporates press releases into his articles.
Given this information, those wishing to engage with Tobias should consider offering insights or expert commentary related to the film industry, celebrity news, literature, TV shows, cultural events in NYC or other relevant topics within the entertainment and societal spheres that can be backed by credible data. Additionally, since he has covered climate change and travel topics as well as citing data frequently in his articles there might be an opportunity for experts to provide analysis supported by verifiable statistics in these areas too.
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Tobias Carroll reviews a novel about "the challenges of wrapping our minds around what had previously been unthinkable."
Tobias Carroll reviews a concisely-told story that raises unnerving questions both within and outside of its text.
This season's titles include mind-expanding romantasy and uncanny trips into history
Articles by Tobias Carroll
This piece was published in collaboration with Golden Goal , a literary magazine about the intersection of politics, culture and sport at the 2026 World Cup. To read more, visit their website: goldengoal.world
Is this a murder cult?
By: Tobias Carroll
Tobias Carroll reviews a disquieting horror novel about a too-good-to-be-true age reduction technique.
Tobias Carroll reviews Kill All Wizards by Jedediah Berry, which "shows that visceral action and grand ideas can comfortably coexist."
By: Tobias Carroll
Ron Currie returns to Babs Dionne in thriller series sequel, ‘We Will See You Bleed.'
There are many powerful elements present in Karishma Jobanputra's debut collection “The Body of the Thing,” from the ways that Jobanputra conveys
