Vrinda Jagota is a Contributor at various prominent platforms including AOL, Inc., The Juggernaut, SPIN, Bandcamp, MSNBC, and Pitchfork. She focuses on the intersection of music business, concerts and festivals, and LGBTQ+ interests, while also exploring themes of gender issues and nightlife. Her work reflects a deep engagement with celebrity culture and the vibrant dynamics of contemporary music scenes.
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Vrinda's coverage heavily revolves around music and entertainment news, focusing on event coverage and private sector announcements. She is likely to be most responsive to pitches related to interviews with musicians or bands regarding new releases, tours, or significant events in their careers.
Given the extensive focus on event coverage and private sector announcements, consider offering exclusive access to behind-the-scenes content from artists' lives or upcoming projects. Pitches centered around album launches, collaborations between artists, or insights into industry trends may also resonate with Vrinda's coverage preferences.
Since Vrinda doesn't have a specific geographic focus mentioned but covers international music acts extensively across her articles, she would likely appreciate pitches about global music events and artists rather than region-specific topics.
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Get to know the artists rewriting the rules of South Asian devotional music.
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Trending Now Pitchfork Talks With james K: "Friend," Cyborgs, & Vocal Modification Indian singer Asha Bhosle was eating lunch when she got a call from composer R.D.
Ashwini Hiremath and her friend Sarvjeet Tampta had two days to find Hemanti Devi. Their funds were running out, they didn’t know exactly where they were headed, and they only had their bikes to get them there—wherever there was.
Read Vrinda Jagota’s review of the track.
A new reissue revisits the Mumbai composer's 1982 album of Roland TB-303 and Indian raga, which uncannily anticipated the sound of Chicago acid house by five years.
The singer and producer's third solo album is a paean to self-knowledge gleaned over time, filled with lush arrangements that exude a sense of ease.
Feeling yourself is the biggest feeling of all on the UK trio's second album, where plush harmonies power glossy 2000s pop-R&B throwbacks.
On her debut album, the British singer-songwriter frames interpersonal tension as a wellspring of potential connection in a set of hushed psych-folk songs.
