Waldemar Januszczak is a journalist and art critic who writes for The Times. With a focus on art and culture, his articles cover a wide range of topics including exhibitions, artists, art history, and book reviews. Januszczak's writing often provides unique perspectives and insights into the art world.
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United Kingdom (National)
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Waldemar Januszczak's articles primarily concern art and culture. He covers a wide array of topics within art, including exhibitions, artists, and art history. His work includes opinion editorials, event coverage, and reviews.
When reaching out to Waldemar Januszczak for potential collaborations or pitches related to his themes covered such as Art Exhibitions or Art History would be well-received. As he frequently writes opinion pieces on various subjects related to arts and culture, providing unique insights into current trends in the art world could also capture his interest.
Although there is no specific geographic focus provided for Waldemar Januszczak's coverage attributes suggest that he may take an international approach to covering global cultural events.
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The wild woman of old is now a dame teaching traditional life drawing to the next generation at her own school of art
Banksy, Cold War Steve and the king of doomy photomontage Peter Kennard prove what a powerful weapon protest can be
By: Waldemar Januszczak, Kate Bryan, Nancy Medina, Roberta Smith, Alastair Sooke, Gillian Wearing, Zoé Whitley
It has today been revealed that comedian, activist, presenter, painter and the nation’s appointed Mummy, Joe Lycett, will be the host of the inaugural Sky Arts Awards, taking place on Tuesday 17 September at The Roundhouse and airing at 9pm on Sky Arts and Freeview.
By: Waldemar Januszczak
In a once-in-a-century exhibition, the National Gallery will recreate the triptych of sunflowers that Vincent Van Gogh wanted to exhibit but never saw realised. But where did the story start?
By: Waldemar Januszczak
The National Gallery has assembled a rich collection of Van Gogh’s work that must be seen. But it has curated it to cleanse the artist of his true character
The French impressionist spent six months holed up in the Savoy painting smog on the Thames, but never exhibited his work in the city he loved — until now
Michael Craig-Martin reduces great art to cartoonish outlines and plastic colours
For six years the award was a travelling propaganda tool — but now it has a point (even if it’s still stuck in the grip of identity politics)
By: Waldemar Januszczak
With creepy cartoons, spooky dolls and the Banana Man, this Tate Modern tribute to the artist is a dark, disturbing playground
Human Presence at the National Portrait Gallery shows the artist wasn’t just obsessed with blackened human history — look at his moving portraits
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