Waldemar Januszczak is a journalist and art critic who writes for The Times. With a focus on art and culture, his articles cover a wide range of topics including exhibitions, artists, art history, and book reviews. Januszczak's writing often provides unique perspectives and insights into the art world.
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United Kingdom (National)
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Waldemar Januszczak's articles primarily concern art and culture. He covers a wide array of topics within art, including exhibitions, artists, and art history. His work includes opinion editorials, event coverage, and reviews.
When reaching out to Waldemar Januszczak for potential collaborations or pitches related to his themes covered such as Art Exhibitions or Art History would be well-received. As he frequently writes opinion pieces on various subjects related to arts and culture, providing unique insights into current trends in the art world could also capture his interest.
Although there is no specific geographic focus provided for Waldemar Januszczak's coverage attributes suggest that he may take an international approach to covering global cultural events.
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By: Waldemar Januszczak
The National Gallery has assembled a rich collection of Van Gogh’s work that must be seen. But it has curated it to cleanse the artist of his true character
The French impressionist spent six months holed up in the Savoy painting smog on the Thames, but never exhibited his work in the city he loved — until now
Michael Craig-Martin reduces great art to cartoonish outlines and plastic colours
For six years the award was a travelling propaganda tool — but now it has a point (even if it’s still stuck in the grip of identity politics)
By: Waldemar Januszczak
With creepy cartoons, spooky dolls and the Banana Man, this Tate Modern tribute to the artist is a dark, disturbing playground
Human Presence at the National Portrait Gallery shows the artist wasn’t just obsessed with blackened human history — look at his moving portraits
The artist Marcel Duchamp bought a urinal in a hardware shop, signed it ‘R. Mutt’ — and invented conceptual art. The mystery is why
Just look at Leonardo and Michelangelo’s works in this stunning exhibition at the King’s Gallery — the seemingly simple art of drawing can border on miraculous
In disgustingly pongy industrial England, the Victorians used pre-Raphaelite paintings like air freshener: just call it the Febreze effect
By: Waldemar Januszczak
His life was centred in his studio in Mornington Crescent, London. It was his world. He painted the same models and the same city scenes over and over again
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