Wil Troup is a journalist for The Ransom Note, covering a wide range of music genres and artists. With a focus on premieres, interviews, and track reviews, Wil brings a fresh perspective to the music scene, highlighting emerging talents and established names alike.
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Waterloo, United Kingdom (Local)
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Wil Troup's coverage primarily focuses on entertainment news, including music premieres, artist interviews, and mixtapes. Given this focus, they may be interested in receiving pitches related to exclusive music releases or artist interviews.
Their interest in event coverage suggests a potential openness to pitches about upcoming concerts, festivals, or other relevant events within the music and entertainment industry.
Additionally, considering their emphasis on gaming as well as entertainment news topics like artists and premieres could potentially lead to successful pitching opportunities by tying these two themes together.
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Think Pachanga Boys' Time...but with soul.
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This week’s Monday Is OK mixtape is an immersive experience into the world of YANA, the alias of Polish composer and multi-instrumentalist Joanna Bieńkowska. YANA’s latest album, Daydreamer, released on Ólafur Arnalds’s OPIA label, continues her journey into emotional landscapes shaped by lush string arrangements and atmospheric electronic textures. A graduate of the Academy of Music in Gdańsk, YANA’s music blends classical training with a flair for modern, ambient soundscapes.
By: Wil Troup
London-based electronic 'super group' Lias Saoudi (Fat White Family), Quinn Whalley Trashmouth Records’ Luke and Liam May, returns with their latest single, “Birth of a Smirk.
Pete Cunningham and Ali Staton of Madonna and Lamb fame discuss the making of Rituals and blending their influences.
Dust off those old bass bins and brace yourself – Gary Asquith of Renegade Soundwave stitches together a megamix of the groups history that reaches right into the underbelly of late ‘80s and early ‘90s underground, where bass shook buildings.
In Atlas of Green, Andrew PM Hunt, operating as Dialect, crafts an album that navigates memory and misremembering, technology and decay, within a soundscape as intricately layered as it is mercurial.
From jungle pioneer to hip-hop cult figure to dancefloor alchemist, Ayman Rostom wears a lot of musical hats..
Marking a quarter-century of, Swiss duo In Flagranti present a mix steeped in their patchwork aesthetic, stitching together threads of 70s disco, 80s post-punk, and 90s US house.
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