Will Borger is a Writer at IGN. He covers a range of topics including gaming reviews, television, and franchises like Resident Evil and MLB. Will's work has been featured in notable publications such as Nintendo Life, The Loadout, and Digital Trends Media Group.
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Will Borger's articles predominantly focus on providing reviews, investment analysis, and announcements related to the gaming industry. He also covers events in the gaming world. This indicates that he would likely appreciate pitches from experts or insiders who can provide valuable insights into upcoming game releases, industry trends, or investment opportunities within the gaming sector.
Given his coverage of specific games and entertainment topics such as movies and TV shows, it may be beneficial to approach him with unique story angles related to these areas. Additionally, since Will focuses on a wide range of entertainment topics beyond just video games, offering cross-industry perspectives could capture his attention.
It is important to note that while Will has not specified a geographic focus for his articles; they seem globally oriented due to their subject matter being relevant across different regions.
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By: Will Borger, Renee Wren, Hannah Hoolihan
We enjoy all the killing, that's why. In 1873, Samuel Colt's Colt Patent Firearms, looking to reinvent the way it produced revolvers, made a gun: the Colt Single-Action Army.
The first time I lost my mech in Synduality Echo of Ada was on my second sortie, and lot of things went wrong.
A mech-based extraction shooter with a pretty cool premise. Related reads: Synduality Echo of Ada Screenshots More like this
Stephen King once famously wrote that there were three levels of terror: the gross-out, when blood and guts are everywhere; horror, as King put
By: Will Borger
No Tim Curry going to space, though.
There is a moment near the end of Ninja Gaiden 2 Black where you retrace the original Ninja Gaiden’s opening level in reverse. I know that level like the back of my hand, having played it over and over and over again two decades ago on a demo disk until I could beat Murai, the first boss, without getting hit. And though you aren’t forced to go all the way to the beginning of that first stage here, this area isn't what it used to be. It’s dilapidated, rotting, falling apart; you can see the damage caused by time and the events of the first game clearly. Ninja Gaiden 2 Black never directly comments on this; Ryu doesn’t mention it, and the camera never pulls any tricks to call attention to it. It’s a moment of subtlety that's very un-Ninja Gaiden, but as I ran back through these familiar stomping grounds, I had an enormous smile on my face. Like this remake as a whole, it may not quite be what it once was, but slicing and dicing my way through it feels as good as ever.
By: Hannah Hoolihan, Renee Wren, Will Borger
By: Renee Wren, Hannah Hoolihan, Will Borger
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