Adrian Horton is an arts writer for The Guardian, based in the United States. With a wide range of interests, Adrian covers topics such as film, theater, television, and pop culture. Their articles provide insightful analysis and commentary on the latest trends and developments in the arts world.
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Adrian Horton’s coverage predominantly focuses on entertainment news, including movie and TV show reviews, celebrity stories, and legal matters related to the entertainment industry. Given this focus, pitches related to exclusive interviews with celebrities or behind-the-scenes insights into popular films or TV shows may resonate well with Adrian.
Additionally, given that Adrian also covers legal matters in the context of the entertainment industry, experts who can provide commentary on lawsuits involving celebrities or media companies could be of interest to her.
Since Adrian does not have a specific geographic focus mentioned but seems to cover international film and television content extensively, she might be interested in pitches from around the world as long as they are relevant to global audiences.
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By: Adrian Horton
Controversial drama The Apprentice has bombed stateside but it’s attracting bigger audiences in other parts of the world
By: Adrian Horton
Adrian Horton · 5-min read I'll be the first to admit that I did not want to watch The Apprentice , the new film chronicling Donald Trump's ascendancy through 1970s and 80s New York.
West Side Story’s Rachel Zegler and Heartstopper’s Kit Connor lift an aggressively poppy new youth take on the tragic romance
By: Adrian Horton
In the Hilary Clinton and Jennifer Lawrence-produced documentary Zurawski v Texas, women whose lives have been brutally upended have their say
By: Adrian Horton
A shocking new documentary lays out the many allegations of abuse against the star, from attacking Rihanna to a claim of sexual assault on Diddy’s yacht
Late-night hosts discuss Donald Trump’s rally at Madison Square Garden, including Elon Musk and racist remarks about Puerto Rico by comedian Tony Hinchcliffe
By: Adrian Horton
The ‘doyenne of domesticity’ proves a blunt and at times frustratingly opaque yet always compelling subject in a new documentary
By: Adrian Horton, David Smith
As the US heads to the polls, film-makers and writers of political movies released in election years discuss their intentions and influence
In an election that, at least according to the pre-voting polls, appears to be the tightest in modern American history , seemingly every semi-famous to famous person is trying to make a small dent of difference.
Stevie Wonder, Stevie Nicks and Will.i.am are among those releasing political anthems in the lead-up to the election
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