Ariel Levy

For decades, the pursuit was identified with first-wave feminists and bored housewives. How did it come to be defined by a pervasive gender gap?

Mogelson received the Magazine Reporting prize for his work in the trenches in Ukraine, and Gessen was honored for their commentary on historical memory and the Israel-Hamas war.

“Solo Apto Para Mí Misma” chronicles adolescence amid the pandemic in the eastern plains of Colombia.

Caitlin Bernard is risking her career, and her safety, to care for pregnant patients.

The Ohio Innocence Project has freed forty-two people. A couple of them attend a performance of “Blind Injustice,” which tells their stories.

Matteo Garrone’s epic about two young Senegalese cousins attempting to reach Italy is his finest film since “Gomorrah.”

The Academy Awards often say less about a film’s artistic merits than about the lengthy—and expensive—P.R. campaigns being orchestrated behind the scenes. So why do we care who wins?

The drag star brought the form mainstream, and made an empire out of queer expression. Now he fears “the absolute worst.”

Recently, Kim Hastreiter—artist, curator, co-founder of Paper magazine, and legendary downtown bon vivant—was having one of her parties.

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