Alex Saveliev

Following the story of an Eastern European girl who escapes the horror of losing her boyfriend in her own country for an LA vacation with friends, she faces the reckoning of the trauma she left behind….and the rain she unearthed coming here.

Jon Watts’ Wolfs relies heavily on the wattage of its star power to carry a narrative that is only mildly inventive. Its belief in its own cleverness is somehow charming instead of grating, though. Sure, the dialogue, while engaging, isn’t nearly as snappy as Watts thinks it is. The twists and turns aren’t nearly as

Initially released in 2012, Rob Margoiles She Wants Me has a lot going for it: disarming sweetness, careful balancing of tones, and solid lead

Like a good home-cooked meal, Brendan Walsh's charming little dramedy I'll Be Right There serves you exactly what you expect.

Writer-director Michael Felker’s debut feature Things Will Be Different requires viewers to get on its otherworldly, endlessly puzzling wavelength. Those easily frustrated by deliberately opaque narratives should probably steer clear. However, fans of head-scratching time-travel tales in the likes of Primer will find plenty to chew on in this heady, pacey little mind-f**k of a film. The budget

Benoît Chieux's gorgeously animated Sirocco and the Kingdom of the Winds feels like a breath of fresh air in the vacuum of Disney's recent ideologically-driven, pedestrian output.

NEW IN THEATERS! Sean Baker can do no wrong. His three most notable features – Tangerine, The Florida Project, and Red Rocket – are all bona fide masterpieces. This year’s Palme d’Or winner, Anora, continues his streak of poignant tales about boisterous, enigmatic, passionate, flawed, very real characters living on society’s fringes, overcoming drastic odds

Bernardo Ruiz's succinct and relevant documentary Latino Vote 2024 provides a glimpse into the Latino communities in the United States – specifically, their

The short dramedy We're Not Done Yet is about everything and nothing. It takes a special skill to convey such emotional depth with next-to-no

Tyler Chipman's debut horror feature, The Shade , is almost a good movie. It has solid production values, a compelling lead, some genuine scares, and an ambition that cannot be denied.