Alistair Harkness

Despite its high irritation factor there are some funny lines in Finding Emily, writes Alistair Harkness, and the two leads are quite appealing, even if the same can’t always be said for their characters

Despite its high irritation factor there are some funny lines in Finding Emily, writes Alistair Harkness, and the two leads are quite appealing, even if the same can't always be said for their characters

Starring Leo Woodall as a piano tuner turned safe cracker, Tuner is summer movie with brains, writes Alistair Harkness

Period drama Savage House flirts with revolutionary politics and the manic energy of encroaching madness, but ultimately turns into a fairly obvious satire, writes Alistair Harkness

Seán Dunn’s debut feature could easily have descended into lazy showbiz satire, but the filmmaker is scratching at something more interesting, writes Alistair Harkness

The latest Toy Story film tackles the hot-button issue of kids and tech head-on, but the formulaic nature of the storyline is a little dispiriting, writes Alistair Harkness

Theodore Pellerin gives a wonderfully nuanced performance in Pauline Loquèas’s drama Nino, writes Alistair Harkness

Jodie Foster flexes her French in A Private Life, while Blue Heron proves moving, thoughtful and thoroughly original, writes Alistair Harkness

Despite a spirited lead performance from Milly Alcock, Craig Gillespie’s film fails to take flight, writes Alistair Harkness

Despite a spirited lead performance from Milly Alcock, Craig Gillespie's film fails to take flight, writes Alistair Harkness Supergirl (12A) ★★