Alexander Cohen is a theater journalist and critic, writing for BroadwayWorld.com, Culture Whisper, and Bloomberg Law. With a passion for the performing arts, Alexander provides insightful reviews and commentary on a wide range of theater productions, from classic plays to contemporary performances.
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London, United Kingdom (Local)
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Alexander Cohen's coverage is predominantly focused on theater reviews. Given this, he would likely be interested in receiving pitches related to upcoming theatrical performances, exclusive interviews with directors or actors, and behind-the-scenes insights into the production of plays and musicals. Additionally, since his coverage also includes topics related to House & Home and Culture & Society, he may be receptive to pitches that explore the intersection of these themes with theater productions.
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Jacobean revenge tragedy: gasps of shock ought to echo around the theatre. Not muffled giggles.
By: Emily Fulginiti, Cozen O'Connor, Alexander Cohen
On August 26, 2024, it was not the first time the SEC settled charges with a Registered Investment Adviser (RIA) for willfully violating Section 204A...
There's a whiff of Jez Butterworth 's Jerusalem about Richard Bean 's Reykjavík . Come and raise a melancholic glass to the old world of
By: Barbara Comstock, Alexander Cohen
In this instalment of The Debate Papers, Barbara Comstock and Dr Alexander Cohen discuss whether the United States is headed for a repeat of January 6, 2021.
Nostalgia isn't what it used to be. That's the hypothesis of Harry Fehr's new iteration of The Elixir Of Love , a self-reflexive swipe on 1970s
By: Alexander Cohen, Zachary Weiss
In the second part of this legal update series, we summarize the key takeaways from the Division of Examinations’ (Division) 2025 priorities report
One for the Brecht completionists
We love watching a rich family crumble on stage. From Oedipus and his mother to Chekhov's families fractured by existential angst, to Ibsen's split by socio-politics paradigm shifts.
Don't be fooled. It's midwinter and a rotund man with a big white beard is centre stage. But this is no schmultz-fest panto.
A night as achingly monotone as it is aggressively monochrome? This is the stuff that nightmares are made of. I'll level with you.
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