David Cote is a critic and reporter at Observer. He covers arts and entertainment, with a particular focus on theater, plays, and musicals, while also exploring themes in zoology, anthropology, and ecology. His work has been featured in The A.V. Club, Playbill, Wiley, and The Washington Post.
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David Cote is a critic who primarily writes reviews, particularly for theater productions. He focuses on providing critiques of various shows and performances, with a heavy emphasis on the theatrical arts.
Given his extensive coverage of theater-related topics, he may welcome pitches from individuals involved in the theater industry or those able to provide unique perspectives related to specific plays or musicals. If you have insights into noteworthy productions or trends within the world of theater, these would likely be valuable contributions for David's articles.
Considering that David doesn't have a specified geographic focus but operates out of New York City, he might be especially interested in local productions and events occurring within this area.
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Four short works from England’s greatest living playwright blaze forth in outstanding American debuts.
A group of teenagers retreat to the woods to process their feelings in playwright Eliya Smith’s thoughtful and elliptical dramedy.
By: David Cote
This darkly exhilarating musical has what is easily the best new score on Broadway, written by by David Yazbek and Erik Della Penna, and an irreverent yet wistful book by Itamar Moses.
A respectful revival brings this play about the agonies of love and sex vibrantly to life.
By: David Cote
A rare chance to see the movie star’s relaxed natural charm up close in the Minetta Lane Theatre as he plays a professor entangled with a young woman in Hannah Moscovitch’s engaging two-hander.
If you arrived late and left five minutes early, you might say it crackles along in a noirish vein, but taken as a whole, the drama leaves you hanging.
From Punchdrunk, makers of 'Sleep No More,' comes an intimate story of a girl's mystic disappearance.
This show may appear coldhearted and ice-blooded, but by the end, there's a thaw and everyone is part of the club.
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