Alexandra Jardine is a South London-based journalist specializing in the advertising and media industry. As the U.K. Editor for Ad Age, she covers a wide range of topics including emerging tech, creative campaigns, and industry trends. Her work has also been featured in Crain's Detroit Business and Crain's Chicago Business.
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Alexandra Jardine's coverage predominantly focuses on business and technology, specifically within the creative production industry. Her articles often highlight successful companies and their approaches to leveraging emerging technologies in creating compelling content.
Given her focus, she may be interested in receiving pitches related to innovative uses of technology within the creative industry or success stories of businesses that have effectively capitalized on new tech trends. Additionally, insights into how companies are navigating technological advancements while maintaining high-quality content creation could be valuable for her audience.
As Alexandra does not appear to have a specific geographic focus, sources with global perspectives and experiences would likely resonate with her readership.
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Iconoclast’s directors delivered in all the key moments of 2022.
Nexus Studios jumped on emerging tech such as AI, immersive platforms and real-time engines.
By: Alexandra Jardine
Brands come to Unit9 for “the never-been-done experience.”
O Positive’s directors continued to make us laugh even in a tumultuous year.
By: Alexandra Jardine
From launching the first Super Bowl spot in the metaverse to reinventing the car launch for Cadillac, M ss ng P eces kept its finger on the pulse of the industry.
Park Pictures displayed impeccable craft across a wide range of spots.
Sanctuary's directors delved into issues of diversity and discrimination.
By: Alexandra Jardine
Biscuit’s directors were behind many of the ads that made us laugh out loud this year
The London agency picked up international work from the likes of Pinterest, Beats and Nike Jordan.
By: Alexandra Jardine
Smuggler last year balanced standout work from established directors while bringing exciting new talent into the fold
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