André Hereford is a journalist and writer based in Washington D.C. He is a regular contributor to Metro Weekly, focusing on local arts and entertainment. André's articles cover a wide range of topics, including theater reviews, music events, film adaptations, and celebrity interviews.
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André Hereford's coverage predominantly consists of entertainment news, particularly album reviews and expert commentary on music-related subjects. Given this focus, he may be interested in pitches that offer unique perspectives or insights into the music industry, including new releases, artist profiles, and trends within the sector.
Considering his expertise in providing reviews and expert commentary focusing on local (Washington D.C.) entertainment events and productions might increase visibility for your pitch. Offering exclusive access to local artists or behind-the-scenes stories related to concerts or album launches could be appealing to André.
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Ralph Fiennes serves understated excellence leading a strong ensemble in the scandal-fueled, Vatican-set thriller "Conclave."
A handful of well-staged frights aren't enough to breathe life into Keegan's plodding "The Woman in Black."
A musical, a crime thriller, a trans romance that never mentions the word trans, "Emilia Pérez" is its own special creation.
John Leguizamo and Luna Lauren Velez lead a family on the verge of a nervous breakdown in Arena's "The Other Americans."
The endearing ensemble of Mosaic's "The Art of Care" delivers a frank, graceful, and refreshing expression of care and empathy.
Theater J's powerful "Prayer for the French Republic" strikes the right notes in its examination of identity and antisemitism.
The exuberant farce of Signature's "A Funny Thing Happened on the Way to the Forum" is a perfectly-timed mood lifter.
As Republicans disparage and disrupt America's Latin community, John Leguizamo uses everything in his power to fight back.
Robust performances and a parade of fabulous costumes keep Arena's sumptuous "Death on the Nile" steaming ahead.
Film critic André Hereford serves up his best and worst films in an unforgettable year of witches, grannies, and gladiators.
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