Andrew Pulver is a journalist for The Guardian, with a focus on multinational news and culture in the United Kingdom. His articles cover a wide range of topics including film, art, and entertainment, and he has also been featured in The Art Newspaper.
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Andrew Pulver's coverage heavily focuses on the entertainment industry, particularly films and Hollywood. He tends to cover events, profile features, government announcements, and reviews related to the entertainment world.
If you are pitching to Andrew Pulver, consider offering unique insights into upcoming film releases or exclusive interviews with actors and directors. Given his interest in profiles and reviews, he might be open to pitches about individuals making significant contributions to the film industry or new projects that show great promise.
Since there is no specific geographic focus mentioned for Andrew Pulver's coverage attributes or article titles, it may be beneficial to offer a global perspective on topics related to Hollywood and films.
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By: Andrew Pulver
The Shape of Water director reports supernatural disturbance while staying in Aberdeen to shoot an adaptation of Frankenstein
By: Andrew Pulver
Midas Man and One Hand Clapping are just the latest in a stream of movies telling a story we seemingly can’t get enough of
The show explores ancient transnational trade route from China to Central Asia, the Middle East and Western Europe
Folie à Deux is heading for an early debut on streaming platforms as its dismal run at the box office continues
A string of auteur directors – from Orson Welles to Steven Soderbergh to Lorenza Mazzetti – have fallen for Kafka’s visionary brilliance, with always-intriguing results
The actor plans to relocate to help make African films that are not framed by colonialism but ‘own those stories of our tradition, of our culture, of our languages’
By: Charles Bramesco, Radheyan Simonpillai, Andrew Pulver, Scott Tobias, Jesse Hassenger, Benjamin Lee, Pamela Hutchinson, Alaina Demopoulos, Veronica Esposito, Francesca Carington
For Halloween, critics pick their most nightmarish baddies, from Count Orlok in Nosferatu to Annie Wilkes in Misery
By: Andrew Pulver
In a new exhibition at the King's Gallery, over 160 works will explore how drawing “became the laboratory” for the new Renaissance style
By: Andrew Pulver
At the French premiere of The Substance, the actor said ‘fear in America around the body’ could be seen in the country’s election
By: Andrew Pulver
First screening for troubled western whose cinematographer Halyna Hutchins was fatally shot on set takes place at niche film festival, boycotted by high-profile figures over a separate sexism row
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