Arusa Qureshi is an editor and freelance journalist, known for her work in music and entertainment journalism. She has written for publications such as NME, Yahoo News UK, The National Newspaper, and has been featured in Condé Nast Traveller. With a focus on music festivals, concerts, and artist interviews, Arusa brings a fresh and insightful perspective to her writing.
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Arusa Qureshi's articles primarily focus on the entertainment industry, particularly music events, concerts, and festivals. She also covers legal aspects related to musicians and bands.
Given her coverage attributes, Arusa may be interested in receiving pitches related to upcoming music events and festivals or exclusive interviews with musicians. Additionally, she might engage with content that delves into the legal aspects of the music industry such as lawsuits involving artists or bands.
It could be beneficial to offer insights from professionals within the entertainment industry or individuals directly involved in organizing music events when reaching out to Arusa for potential coverage opportunities.
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High energy, joyously queer new musical about the greatest artists of the Renaissance
Wonder Fools present a powerful retelling of the myth of Orpheus
A person’s digital footprint can often give away intimate details about their life, whether they intend for it to or not. Yilong Liu’s comedic drama follows loving and regret-filled California dad Raymond, as he embarks on an impossible mission – to follow the breadcrumbs left by his late son Archie via his popular Yelp page.
A wall at the back of the room is being punched repeatedly, signalling the arrival of our topless, snarling hero. Furiozo runs at speed around the venue; as if pumped full of sugar and steroids – but when the music stops, he delicately reaches his arm out to shake hands with the audience in front of him. He fights a bear on stage – except it’s a tiny stuffed bear that he dramatically wrestles to the ground; he points a gun at the audience – except, it’s just his hand as an imaginary weapon; and he does an epic Evel Knievel-style daredevil jump over the crowd – except, it’s a tiny, plastic kid’s bicycle that we all collectively have to pass around.
Love, heartbreak and humour are the tropes you’ll find in any romantic dramedy worth its salt. So naturally, Natalie Palamides’ take on a 90s rom-drom parodies all the clichés, conceits and hallmarks of the genre in the most insane way imaginable.
As Bangtail swaggers onto the stage and proclaims himself to be ‘the baddest man in Texas’, it’s hard not to believe him. He does, after all, have an impressive moustache and no matter how many times he’s shot, he simply can’t be knocked down.
We all know that rules are made to be broken but for Aussie clown Yoz Mensch, adhering to the rules of comedy directly correlates to gaining an understanding of life and the function of societal norms. Their debut solo hour No Babies In The Sauna is like a fever dream – alternating between stories of being a clown school dropout and solving the great mystery that is the science of comedy, with Yozi gleefully taking us along on an unhinged ride towards their growth.
Teatro La Plaza’s interpretation of Shakespeare is joyous and celebratory
Rich amalgamation of grime, garage and R&B by the London singer-songwriter
By: Arusa Qureshi
Arguably south Asia’s biggest pop star, Dosanjh delivers a joyful two hours in which traditional influences and contemporary sounds collide in a colossal production
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