Bill Desowitz is a film journalist and the Crafts & Animation Editor at IndieWire. With a focus on the craft of filmmaking and animation, Bill has covered a wide range of topics in the industry. His work has appeared in various publications, including IndieWire and Yahoo News UK.
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Bill Desowitz specializes in event coverage and expert commentary related to entertainment news, particularly animation, film, and the Oscars. If you have insights into upcoming events in the film industry or can provide expert commentary on trends in animation or costume design, these are likely to catch Bill's attention.
Given his focus on event coverage and predictions for awards such as the Oscars, pitching topics related to upcoming films, studio projects (especially Studio Ghibli), or emerging trends in the entertainment industry could be fruitful. Moreover, if you have expertise in analyzing animated films or predicting award winners within this domain then your input would align with his area of interest.
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By: Bill Desowitz
Netflix ‘s “Arcane” wraps up with Season 2, getting thematically darker and aesthetically more experimental, as it resolves the war between the
By: Bill Desowitz
Marvel has dropped the trailer for the third and final season of its animated anthology series “What If…?” (December 22 on Disney+ , with a new
By: Bill Desowitz
“The Day the Earth Blew Up: A Looney Tunes Movie” is one of the animated delights of the year.
By: Bill Desowitz
Editor Juliette Welfling has come to expect the unexpected from director Jacques Audiard . She's cut all 10 of his French films, but “Emilia Pérez” (now streaming on Netflix ) is the most experimental yet.
· 7-min read With Ultraman: Rising,” animator-turned-director Shannon Tindle combined his love of the superhero anime franchise with
Shannon Tindle and ILM VFX supervisor Hayden Jones tell IndieWire about adopting techniques from manga and anime during the final water battle.
By: Bill Desowitz
Gints Zilbalodis' “Flow” (Sideshow and Janus) might be the animated surprise of the year.
'Spellbound' director Vicky Jenson on conjuring a modern fairy tale about bad parenting through a family therapy-inspired journey.
By: Bill Desowitz
IndieWire traveled to Aardman in Bristol, England, and learned about Norbot, the return of Feathers, the most eye-catching set, and the role of AI.
By: Bill Desowitz
Pixar goes intergalactic for coming-of-age comedy 'Elio.'
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