Brandon Costa

The deal valued at $22 Billion is expected to close in the first half of 2027

One of the more exciting internal video production divisions within a college athletic department is based in Columbia, South Carolina. At the University of South Carolina, Gamecock Productions produces everything from top-of-the-line live game broadcasts for ESPN+ and SEC Network to creative video that gets social media feeds buzzing and stadiums and arenas rocking.

At Pico, the network’s media-management team is supporting a flood of HBS feeds, BRISK sources, ENG material, FIFA files, digital content, and postproduction needs across the largest World Cup ever staged

Network’s LA facility serves as the heart of a sprawling operation built to support 104 matches of the biggest global soccer tournament ever

As live sports broadcasters continue to seek new ways to make complex action more understandable, engaging, and entertaining for fans, Virtual Eye is bringing its award-winning approach to 3D graphics, real-time tracking, virtual twins, and visual information systems to the industry. Based in Dunedin, New Zealand, the company has helped reshape the way fans watch sports ranging from sailing and golf to cricket, baseball, motorsports, skiing, snowboarding, and more.

Built with the 2026 FIFA World Cup in mind, these small but mighty IP-based transmission packs give FOX a tactical way to extend its LA-based production into host cities, fan...

North Carolina, Oklahoma meet in the best-of-three Finals as ESPN leans into specialty cameras, more than 100 mics, and a production footprint built for storytelling

As the regional sports production scene shifts toward streaming, this Texan helps lead the engineering behind Victory+’s growing live platform

Anchored by FIFA WORLD CUP NOW, ancillary feeds from HBS, cloud-based switching, and real-time analytics, the effort marks FOX Sports Digital’s most ambitious live-production project ever

The SVG College Summit returned to Atlanta for two days of sessions focused on the evolving needs of collegiate athletic video departments, from live broadcast and in-venue production to creative content, staffing, facilities, and emerging technologies.