Casey Allen

Apartment 7A is an okay film. It isn't terrible or boring or lacking in a continuous narrative. It just doesn't have enough new content we haven't seen before to help it feel exciting and memorable.

I highly recommend this film for everyone, but only if you think you can handle the outrageous style of gore it has waiting for you, from the bodily fluids to the screams.

Being so different of a film, and being so especially dark and tragic of a musical film, makes this sequel something truly unexpected and unique. So it isn't a brilliant triumph, but at least it isn't boring.

It's true not every film needs to be a brilliant bolt of lightning showing something new and pushing boundaries. We Live in Time is an example of this. So it will tug some heartstrings, but it isn't exactly an exciting choice for movie lovers out there.

Some of the conversations are interesting on the importance of belief , but Heretic doesn't quite have enough energy (or inventiveness) to keep viewers in its clutches.

This is not the movie of the year for me. So many themes are only lightly explored, and the pacing is sometimes awkwardly jerky. But every viewer has to give some appreciation to this film being so unique, audacious, and daring.

Gladiator II falls short of being a tent pole event kind of film this year, because it tries to do too much in its allotted time.

Musical films are horribly challenging to achieve in the 21st century, so when I left the theater feeling happy, playful, and invigorated, it felt like Wicked did the impossible.

Not only is this film an honest look at Black American identity in the 20th century, it's a beacon for every family's heritage (both good and bad). That heritage is important, because it's inevitably part of your life today.

This version of Nosferatu is clearly a triumph of cinematic technology. The acting and dialogue are a different matter.