Kevin Maher is the Chief Film Critic for The Times, known for his sharp and insightful reviews on a wide range of films. With a diverse background in journalism, his work has been featured in various publications and media outlets, showcasing his expertise in the world of cinema and entertainment.
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Kevin Maher's coverage primarily consists of reviews, with a focus on entertainment news and yachting. He may be interested in pitches related to film releases, events in the yachting world, as well as mental health support initiatives within these industries.
Considering his extensive coverage of film reviews and yacht-related topics, he would likely appreciate pitches regarding new movie releases, industry events or awards ceremonies within the entertainment and yachting sectors. Additionally, given his specific interest in mental health support for crew services within the yachting industry, relevant initiatives addressing this theme could also capture his attention.
Given that Kevin's geographic focus is not specified but has been associated with UK publications like The Times and The Guardian previously according to online profiles; considering him to have a UK focus might be appropriate when crafting targeted pitches.
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Off the pitch this story directed by Thea Sharrock of Wicked Little Letters frequently sings, but the match sequences are lethally dull
Jake Gyllenhaal is embarrassingly outshone by the mixed martial artist Conor McGregor in this pointless remake of the Eighties movie with Patrick Swayze
Imogen Poots plays the wealthy English debutante turned bomb-maker in Christine Molloy and Joe Lawlor’s study of her radicalisation
Ladies and gentlemen, violins at the ready! We have learnt that the national treasure and footballing icon David Beckham had to wait two decades before receiving a proper compliment from his father
Anne Hathaway and Jessica Chastain are magnificent in this Hitchcock-inflected tale of Sixties suburbia
The arthouse darling Ryusuke Hamaguchi is at his most artful in this elusive drama
The visuals are ropey, the sets cheap and the effects are some of the worst in space movie history
Written by the last great philosopher film critic, Gilbert Adair, the film follows three young lovers trapped in a Parisian apartment in 1968
The two-time Oscar-winner plays a woman fundraising for a sick child in Jon Gunn’s latest film, but why doesn’t it critique the US healthcare system?
Based on the 1858 kidnap of a six-year-old boy who is then raised by the Pope’s circle, this is beautifully lit and directed by Marco Bellocchio
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