Christina Newland is a journalist and film critic who writes for The i Paper. Her work has also been featured in Rolling Stone UK, Rolling Stone, BBC Mundo, Vulture, British GQ, and RING TV LIVE. Christina specializes in reviewing films, with a focus on highlighting unique and thought-provoking cinema.
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Christina Newland's work primarily consists of reviews and exclusive content, with a particular focus on lifestyle and entertainment news. She often covers psychological thrillers, horror, mental health, and survival themes within her articles.
When reaching out to Christina, consider offering access to exclusive interviews or early screenings for films that align with her areas of interest. Experts who can provide insights into the creative process behind these types of films may also catch her attention.
As she focuses on national coverage in the United Kingdom, pitches should keep this geographic focus in mind when relevant.
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The late actor cultivated a specific kind of Englishness for the screen, but she was never afraid to upend expectation.
In a fêted seven-decade career spanning stage, screen, and television — never once proving less than incredible, with her protuberant eyes and wry
The follow-up to Todd Phillips' surprise phenomenon is an unspeakably self-indulgent, two-hour-plus beast
By: Christina Newland
From Florence Pugh and Andrew Garfield's romantic melodrama to Angelina Jolie's Maria Callas biopic, here's what to look out for at LFF and beyond
How to fake your way through a dinner party –and even get the better of snobs desperate to one-up you
Directed by Annabelle filmmaker Gary Dauberman, this adaptation has zero new ideas or even a particularly frightening take on the old story
Why are we giving more airtime to the ego of such a small and repugnant human being?
A nod to a painful part of Irish history, this is a beautiful story of courage in the face of complicity
The director of The Florida Project delivers an unpredictable rags to riches tale about a young stripper
By: Christina Newland
Joy, the film that tells the true story of the doctors who pioneered IVF, is a little prosaic - but the events it depicts, and its female co-lead, still feel revolutionary
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