Christopher Knight

Sometime next year, we might have an opportunity for a sneak peek inside the David Geffen Galleries, the new permanent collection building under construction on the Los Angeles County Museum of Art's Wilshire Boulevard campus.

The War of 2026 scenario and various wargames paint a dire picture of the way a violent struggle for Taiwan would likely unfold. While much is unclear, this fight will likely incur terrible costs in blood and treasure. Therefore, the only way to win the fight for Taiwan is to deter it from ever happening. Nuclear deterrence is insufficient, but unmanned systems could disrupt the People’s Liberation Army Navy (PLAN) plans for Taiwan reunification and deter the Chinese Communist Party from ever issuing the order. Though U.S. military unmanned systems have not yet demonstrated the capability to meaningfully shape a battle for Taiwan, progress has been made with the Replicator Initiative, a “big bet” aimed at purchasing unmanned systems while galvanizing the U.S. industrial base. The Navy and Marine Corps must organize to receive, test, proliferate, and reveal unmanned systems if Replicator is to become deterrence.

There are no secrets in Olafur Eliasson's art. There are mysteries — plenty of them, piling enigma on top of inscrutability — but no secrets.

Artists explore the intersection between environmental ruin and sexism

PST Art exhibition explores aerospace's profound impact on Southern California artists and the extraterrestrial inspirations for their work.

Two-part documentary premiering Monday centers on Ken Burns' first non-American subject, the painter of the ‘Mona Lisa' and ‘The Last Supper.'

JLL Capital Markets announced today that it has arranged a $32 million refinancing for 609 West Randolph, a 15-story boutique office property totaling 95,000 square feet in Chicago, Illinois.

For his first non-American subject, documentary filmmaker Ken Burns chose Renaissance polymath Leonardo da Vinci.

Three big ‘PST Art: Art and Science Collide' exhibitions include marvelous objects, but only one show is satisfying.

Should art museums be showing art history? Or cultural history, which isn't the same thing? Getty and LACMA exhibitions give different answers.