Murray Whyte is an art critic and columnist at The Boston Globe. He covers a diverse range of topics within the arts, including fine art, digital art, and urban and street art, while also delving into general assignment news and world affairs. His insights and critiques are featured in prominent discussions about arts and entertainment.
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Murray Whyte's coverage is heavily focused on local arts and culture, particularly art exhibitions, museums, and cultural heritage. He appears to have a keen interest in providing event coverage and expert commentary related to the art world.
If you're looking to engage with Murray Whyte, consider offering insights into upcoming or ongoing art events in the Massachusetts area. Providing access to local artists or experts who can offer unique perspectives on cultural heritage would likely be of interest.
Given his focus on local events and expertise, reaching out with information about new exhibitions at Massachusetts-based museums or interviews with relevant artists could be valuable for potential collaboration opportunities.
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The artist's first career survey at the ICA reclaims joy for his subjects across a fractious history
All you'll see at the Salem museum is a cardboard cut-out. But it invokes a marble wonder that moldered in a saloon and a bulk mail center for years before being rediscovered.
By: Murray Whyte
Mark Rothko, Adolph Gottlieb, and Milton Avery summered and painted together on the North Shore. Their work will be on view at Gloucester's Cape Ann Museum.
By: Murray Whyte
“Subvert, Repair, Reclaim: Contemporary Artists Take Back the Nude” raises important questions -- and allows for unnsatisfactory answers.
By: Murray Whyte
T he new Copley Square, to officially open on Wednesday with a m ayoral ribbon-cutting , has its moments.
By: Murray Whyte
With the state poised to take another stab at redeveloping the Brutalist landmark, this time as housing and restaurants, we take a tour — and discover surprising comforts.
By: Murray Whyte
T here's a brand-new mural in town, up on the city's signature street-art wall at Dewey Square.
By: Murray Whyte
Institutions including Boston's Museum of Fine Arts and Institute of Contemporary Art refused grants that required compliance with federal anti-DEI initiatives. But some smaller organizations were forced to cancel 250th programming.
The museum rejected federal support for its new 18th-century American galleries. They tell a story the current administration may not like.
