Debra Craine is the Chief Dance Critic at The Times. A life-long dance enthusiast, she covers a range of topics including theater, art, and architecture, with a particular focus on reviews and seasonal themes like Christmas. Debra's work has been featured in The Times and The Australian, showcasing her extensive expertise in the arts and entertainment sector.
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Debra Craine mainly focuses on entertainment news with a significant emphasis on performance reviews, particularly in the theater and dance genres. She also covers design-related aspects of performances.
For those looking to reach out to Debra, it would be beneficial to offer access to unique stories related to the theater or dance world. This could include providing exclusive insights into upcoming performances, behind-the-scenes information about productions, or access to personalities within these industries for profile features.
Given her coverage attributes and topics covered, individuals who can provide detailed background information about specific theatrical or dance events may find success in pitching their stories for potential coverage by Debra.
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By: Dominic Maxwell, Sarah Ditum, Robbie Millen, Laura Freeman, Will Hodgkinson, James Marriott, Kevin Maher, Richard Morrison, Debra Craine
Going out or staying in? Here's some inspiration to make the most of your time — from Jude Law as Henry VIII to Elvis Costello on tour and Pat Barker's new novel
With three theatres in London already, does the UK’s foremost home of new work really need another in the Queen Elizabeth Olympic Park? Yes, says its artistic director Alastair Spalding
By: Debra Craine
At the Royal Opera House, the Royal Ballet opens its season in spectacular style with Christopher Wheeldon’s brilliant Lewis Carroll adaptation
The choreographer Crystal Pite’s work was the main attraction in the first show by the National Ballet of Canada at Sadler’s Wells in ten years
Among the new repertoire at the Royal Opera House was a stunning creation by the American Pam Tanowitz
The Paris Opera Ballet and Rudolf Nureyev’s 40-year-old Tchaikovsky production were given the BFI Imax treatment on London’s South Bank
By: Clive Davis, Richard Morrison, Debra Craine, Dominic Maxwell
From a sparkling new Nutcracker to Julian Clary’s Robin Hood; from Oliver! to Bill Bailey, our critics choose the finest festive tickets
English National Ballet has been performing the same dreary version of the festive ballet for 15 years. Now it has a sparkling, sweet upgrade thanks to two choreographers
The male swans are still nasty, terrifying and fabulous in this anniversary revival at Sadler’s Wells — the theatre where this show was born
By: Debra Craine
ENB’s new version of Tchaikovsky’s ballet at the London Coliseum is a chocoholic’s dream, although the candy-coated second half works better than the first
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