Kerry Reid is a theater critic and editor, currently contributing to various platforms. She specializes in arts and entertainment, with a focus on cultural movements and the evaluation of plays and musicals. Kerry's work has been featured in Knowledia, Falmouth Publishing, Inc., BioRxiv, Atlanta News First, Chicago Public Media, and Chicago Reader.
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Chicago, United States (Local)
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Kerry Reid's coverage is primarily focused on local theater productions and cultural events within Chicago. She seems to have a keen interest in exploring the city's arts scene, with a specific emphasis on live performances, especially in theatrical settings.
Given her focus on event coverage and seasonal topics related to entertainment news and culture & society, she would likely be interested in pitches that highlight unique or significant aspects of upcoming theater productions, festivals, or other cultural events happening in Chicago.
Pitches could include exclusive interviews with directors or performers involved in local theater productions and insights into the historical context of plays set during World War II. Additionally, Kerry may appreciate stories that shed light on emerging trends within the Chicago theatre community.
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At a time when generational conflicts seem more heightened than ever, it's refreshing to see Free Street's latest devised piece, Spark , in which
A new musical set during the French Revolution delivers romance, adventure, and some theatrical in-jokes alongside a solid score.
By: Kerry Reid
York Walker's haunting drama at the Goodman centers the women in a story inspired in part by the legend of bluesman Robert Johnson.
Melissa Ross's world premiere at Rivendell is set in 1992 but feels depressingly on the nose over 30 years later.
Lauren Yee's "existential slasher comedy" about a college freshman confronting tragedy returns at Bump in the Night Theatre Company.
The Conspirators' Tartuffe sets the company's commedia-inspired "the Style" on Molière's timeless tale of con men and their marks.
Amy Herzog's update of Henrik Ibsen's classic about whistleblowers and mob mentalities makes a great opener for the company's next chapter.
The touring production of the updated 2023 version of the Monty Python-inspired musical offers plenty of sly silliness.
By: Kerry Reid
Hanna Kime's world premiere at A Red Orchid Theatre explores the world of "gang-stalking" from inside and outside a group of believers.
A woman astronaut on a solo mission to Mars confronts grief, fear, and the indignities of selling the public on the value of science.
