Kerry Reid is a theater critic and editor, currently contributing to various platforms. She specializes in arts and entertainment, with a focus on cultural movements and the evaluation of plays and musicals. Kerry's work has been featured in Knowledia, Falmouth Publishing, Inc., BioRxiv, Atlanta News First, Chicago Public Media, and Chicago Reader.
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Chicago, United States (Local)
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Kerry Reid's coverage is primarily focused on local theater productions and cultural events within Chicago. She seems to have a keen interest in exploring the city's arts scene, with a specific emphasis on live performances, especially in theatrical settings.
Given her focus on event coverage and seasonal topics related to entertainment news and culture & society, she would likely be interested in pitches that highlight unique or significant aspects of upcoming theater productions, festivals, or other cultural events happening in Chicago.
Pitches could include exclusive interviews with directors or performers involved in local theater productions and insights into the historical context of plays set during World War II. Additionally, Kerry may appreciate stories that shed light on emerging trends within the Chicago theatre community.
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Back in March, Jackalope Theatre Company produced the first show for young audiences in their history.
With summer upon us, Theo cranks up a classic musical dedicated to one of our greatest national pastimes: hating the New York Yankees.
If you spend any time on social media, you may have seen a meme involving a photo or video of a dog (usually a large breed, like a pit bull or
Beau O'Reilly's Talking About Godard had its premiere with Curious Theatre Branch in 1999.
Seven years ago, Joffrey Ballet premiered Yuri Possokhov's brand-new version of Anna Karenina , based on Leo Tolstoy's 1878 novel and featuring a score by Ilya Demutsky.
Apparently this is the month for Uncle Vanya : AstonRep opens their version of Anton Chekhov's masterpiece at the Edge Off Broadway next week, and
The North American premiere of this play with music, based on Annie Proulx's short story, shows that you don't need cinematic landscapes.
In the intro to his 1979 play, The Elephant Man , Bernard Pomerance cautions that no one with back problems should attempt to play the title role of John Merrick.
By: Kerry Reid
Prior to Steppenwolf's current production of Catch as Catch Can , I only knew Mia Chung through her 2012 play, You for Me for You , given a terrific production locally with now-gone Sideshow Theatre in 2018.
Kevin Douglas's clever and rousing world premiere at Lookingglass blends horror, comedy, and complicated family dynamics.
