Donald Hutera is a journalist and critic who writes for The Times, focusing on local arts and entertainment in the United Kingdom. With a keen eye for detail and a passion for the performing arts, Donald provides insightful reviews and commentary on theater productions, dance performances, and musicals, capturing the essence and impact of each show.
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Donald Hutera's coverage is primarily focused on providing reviews of theater, musicals, performances, and dance. He specializes in critiquing live entertainment with a local focus on the United Kingdom. If you are involved in the production or performance industry within this region and have upcoming shows, events, or noteworthy news related to theater, musicals or dance performances, reaching out to Donald for potential coverage could be beneficial.
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It’s encouraging to see deaf actors being given their moment at the Globe, but Blanche McIntyre’s production plays out like a leering sitcom
By: Donald Hutera, Debra Craine, Dominic Maxwell, Neil Fisher, Rachel Halliburton, Clive Davis
From Farm Hall to Fiddler on the Roof, these are the best productions reviewed by our critics in London and nationwide
Songs of the Bulbul Aakash Odedra Company Lyceum Theatre, Edinburgh Reviewed by Donald Hutera on August 9, 2024
Ananta, The Eternal Ragamala Dance Company Reviewed by Donald Hutera at Assembly @ Dance Base on August 13, 2024 Photo: Kyle Flubacker
Nino Samadashvili was languid and steely as Odette/Odile at London’s Coliseum, but this production lacked a dramatic payoff
By: Donald Hutera
Two dance productions inspired by Lewis Carroll’s Alice books are back at the Royal Opera House this month. Christopher Wheeldon’s eye-popping extravaganza Alice’s Adventures in Wonderland, first seen
Staged at the Chatham Dockyard in Kent, this sprawling, hugely ambitious and sometimes unwieldy epic includes a cast of 150
At the Crucible in Sheffield, Chris Bush’s new adaptation of Henrik Ibsen’s 1879 play is a riveting and resonant account of a classic
GIGENIS: The generation of the Earth by Akram Khan & Guests November 20, 2024 Sadler's Wells, London Reviewed by Donald Hutera
The latest premiere at Sadler’s Wells from Michael Keegan-Dolan’s company is anarchically punchy
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