Elaine Velie is a Staff Reporter at Hyperallergic. She covers a range of topics centered around NYC, including social issues, protests, and crime, highlighting the intersection of art and activism in urban life. Elaine's work has been featured in various publications, bringing attention to the pressing social dynamics within New York City.
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Elaine Velie's coverage indicates a strong interest in entertainment news and culture & society, with an emphasis on art history, artists, museums, and cultural events. Her focus is not limited to a specific geographic area.
Given her broad range of topics covered within entertainment and culture & society, pitches should offer unique insights into art history or showcase interesting cultural events. Additionally, she may be interested in stories that shed light on diverse cultural aspects such as Filipino lanterns or the first exhibition about Black New Yorkers at the Tenement Museum.
Pitches focusing on breaking news related to art, artists' activities or ethical questions surrounding artistic endeavors might also catch her attention.
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“The sense of freedom I felt in New York had nothing to do with the art world,” the painter told
“That's what traditional Navajo weaving is: an interpretation of your environment,” the Diné artist told Hyperallergic in an interview.
Local artists Jackie Chang and Chloë Bass created two multi-panel series, now on view at the Brooklyn station.
“For years, I didn't want acceptance from the art world. I wanted the opposite, to be honest,” the photographer told Hyperallergic in an interview.
This week, Miss Piggy's mom, American fiction's fatphobia problem, the shady underbelly of glass-eel fishing, Chappell Roan, and what did Old English sound like?
Instead of “elder,” the 75-year-old artist, scholar, and bandleader prefers the moniker “magnificent hag.”
This week: curation and BDSM, America's first lesbian magazine, myths about the human brain, and is smutty literature hurting our romantic relationships?
“If I do not share the knowledge I have, it's all wasted when I'm gone,” the artist, educator, and activist told
The answer to this seemingly straightforward question reveals a few common misconceptions about our nation's institutions.
An eternal fall permeates most of the artist’s landscapes, in which gloomy and Gothic towns are shot through with a sense of impending doom.
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