Elizabeth Baker

One week into his newly created role as Director of AI Culture and Gaming at the British Forces Broadcasting Service (BFBS), Adam Waters sits down with IBC365 to reveal his plans to take the organisation into the next era of broadcasting.

As questions over the commercial viability of VR abound, the Château de Versailles seems to have cracked the code. Entwining future and history, the cultural landmark is hosting an immersive experience that brings together UX, game mechanics, spatial interaction, and live on-site operations for 10 million visitors a year.

The Royal Television Society (RTS) has named Rosie Nieder, Operational Production Engineer at the BBC, the winner of its RTS Young Technologist of the Year Award.

Anette Schaefer, CEO of EIT Culture & Creativity, dissects the EIT Culture & Creativity’s role as European Innovation Partner for IBC2026’s Future Tech Ignite program, and how the initiative is set to bridge the gap between invention and market adoption.

Just months after pulling off the Olympic Winter Games Milano Cortina 2026, Alex Dinnin, Director of Graphics and Innovation at Warner Bros Discovery (WBD), reveals what technologies he's got his eye on for the visual future of the legendary organisation.

Hearst has revealed that it will officially acquire Disney's 50% interest in A+E Global Media for approximately US$1.2bn in cash.

To reflect the changing media market, the US Federal Communications Commission (FCC) has voted to repeal its 39% national television multiple ownership rule and replace it with a case-by-case review.

We are proud to partner with Merry Maids of Houston for this post. A new school year is here. Fresh notebooks, sharpened pencils, first-day photos, and the

It was a letter that sparked the beginnings of a 45-year-long friendship between Michael Simanga and the artist he so admired, Amiri Baraka.

When Terry Tempest Williams was 5 years old, her grandmother gave her Roger Tory Peterson’s field guide to western birds.