Emma Green is a staff writer who covers a wide range of topics, including politics, culture, and social issues. Her work has been featured in publications such as The New Yorker, Cheddar News, and Progress Educational Trust. Emma's writing often delves into the complexities of current events and aims to provide insightful analysis and thought-provoking perspectives.
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Emma Green's coverage focuses on lifestyle, government & politics, and culture & society topics. She frequently covers legal policy regulation as well. To effectively engage with Emma, pitches should offer insights into the intersection of these themes. This might include analyses of political or societal trends impacting lifestyle choices or cultural developments influenced by legal regulations.
Given her focus on national content in the United States, relevant data and expert sources from within the country would be beneficial for providing context to her articles. Pitches should align closely with the specific topics she has covered in the past to ensure relevance and increase their chances of being considered for coverage.
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By: Timothy Snyder, David Remnick, Emma Green, Nathan Heller, Jennifer Wilson, Kyle Chayka, Rachel Maddow, Rebecca Mead, Charles Bethea, Marc Fisher, Susan B. Glasser
The actress discusses starring in the new film adaptation of “The Piano Lesson,” Wilson’s play about the Great Migration and a family torn apart by inheritance.
By: Timothy Snyder, David Remnick, Emma Green, Nathan Heller, Clare Malone, Kyle Chayka, Rachel Maddow, Rebecca Mead, Jennifer Wilson, Charles Bethea, Marc Fisher, Susan B. Glasser
From the daily newsletter: Clare Malone on R.F.K., Jr.,’s health crusade. Plus: more on Trump’s extreme Cabinet; the naïveté of post-election despair; and the gripping drama of “Say Nothing.”
Kamala Harris spoke of creating an “opportunity economy,” a vague idea more likely to appeal to entrepreneurs than to struggling workers.
By: Emma Green, Andy Kravis, Doreen St. Félix, Charles Bethea, Rachel Maddow, David Remnick, Jennifer Wilson, Susan B. Glasser, Timothy Snyder, Nathan Heller, Marc Fisher, Kyle Chayka
“No Other Land” and “Union” are films that Hollywood and corporate America don’t want you to see.
Peter van Agtmael's images of war and domestic strife are arresting and almost cinematically spare, but it is the careful narrative arc of his new book, “Look at the U.S.A.,” that deepens the viewer's experience.
Richard McGuire's project has a fixed view, but it spans several decades and mediums.
Amid his impending retirement, the tennis champion leaves behind a legacy of courage.
The President-elect's nominations look like the most flagrant act of vindictive trolling since the rise of the Internet. But it is a trolling beyond mischief.
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By: Adam Gopnik, George Saunders, Han Kang, James Wood, Rachel Maddow, Helen Rosner, Kelefa Sanneh, David Remnick, Emma Green, Lorrie Moore, Camille Rankine, Sarah Larson, Jennifer Wilson, Jackson Arn, Annette Gordon-Reed, Timothy Snyder, Jake Offenhartz, Jill Lepore, Jane Mayer, Richard Brody, Erik Agard, Jennifer Egan, Louis Menand, Rebecca Mead, Alex Dimitrov, Kira Garcia, Jia Tolentino, Jelani Cobb
An archive of reporting, profiles, criticism, fiction, and cartoons from The New Yorker’s print magazine.
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