Evan Henerson

Every now and again, a play comes along that proves difficult to creatively and critically evaluate, a work that looks to provoke as much (or more) than it entertains. And here we are.

Long live that glittering sham commonly known as the American Dream! Eternal health and prosperity, too, for Arthur Miller who spent the better part

ENGLISH isn’t so much a play about the power of words as it is about the inextricable and very complicated bonds between language, culture and identity.

Like a flickering match piercing the blackest most impenetrable abyss, Athol Fugard 's 1982 play “MASTER HAROLD”… AND THE BOYS recounts a story of

As directed by Kristin Hanggi and led by actors Emma Hunton, Diana Huey and Aynsley Bubbico, KILLING MUSICALS looks to blend pathos, satire and female empowerment not always particularly smoothly.

Andy Wolk's production transports Sophokles’s work off the pages of a high school syllabus and directly across the threshold of our comfort zone.

Booth’s deeply sympathetic rendering of a good man navigating a life of crises is 95 minutes of sublimity. And in the role of Kenneth, actor Petey McGee delivers a performance that is as throat lump-inducing as it is uplifting.

If there is a certain “I'm doing this my own way” attitude to Ali, the teen-age protagonist of HELL'S KITCHEN, it should come as a surprise to absolutely nobody.

Casting high school aged teen-agers can be a trickier needle to thread than one might think. Two actors who are still in high school wrestling down the spectrum of emotions, growth journeys and heartbreak of Shakespeare’s tale is no small achievement. Asher Hagler and Quinnlyn Scheppner make their marks; they are charismatic, genuine and, yes, also very young.

The next time Lea Salonga comes into town, for any reason, somebody really needs to drag her into a room, offer her an obscene amount of monet, and