Tryon, United States (Local)
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Evan Fitch's articles primarily focus on local entertainment and movie reviews. His coverage attributes highlight a significant emphasis on industry-specific content and seasonal topics, with a large portion of his work being review-based.
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This week at the Tryon Theatre is “H Is For Hawk” (Lowthorpe 2025), a powerful and intimate drama exploring the process of one woman's grief. This film is a British production, shot in the UK and adapted from the 2014 memoir of the same name, which received high acclaim for its immense depth and emotional complexity.
This week at the Tryon Theatre is “The Drama” (Borgli 2026), a cutting satire of romantic films, deconstructing the potentially ideal wedding of allegedly ideal people in spectacularly catastrophic and scandalous fashion.
This week at the Tryon Theatre is “The Christophers,” an intelligent and insightful film about legacy, life's beauty, and the transcendent magnificence of painting across generations. This film is directed by the acclaimed Steven Soderbergh, whose directorial eye remains one of the sharpest in the industry, crafting compelling, concise, artful, and efficient films.
This week at Tryon Theatre is “Normal” (2026), a comedic action thriller that clips along at a breakneck pace, packed to the proverbial brim with quips, highly stylized fight sequences, and the near constant rhythm of gunfire. Directed by the talented Ben Wheatley, an English director with a flair for a humorously gritty tone, “Normal” stars Bob Odenkirk, who uses his delightfully “normal” everyman appearance to hilarious ends. He cuts the perfect image of weary, unassuming, middle-aged malaise. Of course, no Odenkirk role would be his without a healthy dose of wry, dry sarcasm, qualities on display in spades throughout this film's compact and compelling narrative.
This week at the Tryon Theatre is “Tuner” (Roher 2026), a truly excellent film and a rare opportunity for us to showcase it during its nationwide premiere week.
This week at the Tryon Theatre is The Devil Wears Prada 2 (Frankel), the sequel to the 2006 hit that was not only a box-office success upon its release but has since proven to be one of the most rewatchable and defining films of its generation.
Film Talk with Tryon Theatre This week at the Tryon Theatre is The Sheep Detectives (Balda 2026), a bouncy and breezy mystery film set in
This week at the Tryon Theatre is Pressure (Maras), a tautly constructed and tremendously well-acted period piece set in the final 72 hours leading up to D-Day. The film explores the integral role weather played in that crucial historical event.
This week, the Tryon Theatre presents Star Wars: The Mandalorian and Grogu , the latest theatrical chapter in the sprawling “Star Wars” universe and one that works delightfully well as a standalone story.
This week at The Tryon Theatre is “Masters of the Universe” (Knight 2026), a modern interpretation of the 1980's Mattel property, originally comics and toys, that birthed an animated series, and a 1987 live action feature film. For decades this franchise has been a hit with audiences, an admittedly cheesy world of fantasy, but one so self aware and winking with its silliness that the audience gets to laugh with it, not at it. This newest film is no departure from the established tone of the preceding works, positively steeped in charming goofiness, a delightfully unserious thrill ride. “Masters of the Universe” absolutely belongs under that increasingly combined umbrella of sci-fi and fantasy (replete with advanced technology, sorcery, and all manner of strange creatures), yet despite these genre trappings, this film is, above all else, a comedy. Not only does the film have explicit moments of comedy within the dialogue and narrative, it also hopes to engender laughter from the film's more “intense” moments too, leaning so heavily into the hyper stylized spectacle, that it also becomes a source of intentional humor.
