Guy Lodge

As the festival draws to a close, 'Fatherland,' 'Minotaur' and 'The Black Ball' are among the titles rumored to be receiving prizes from the Competition jury, headed by Park Chan-wook.

This year's Un Certain Regard winner at Cannes confirms the Austrian director's formidable formal control and imagination, and should be her most widely distributed work to date.

Ingeniously plotted though it doesn't reinvent the wheel, this humble horror film crafts dread by playing with perception, indulging in sillier supernatural thrills on the way.

A reduced American presence made for a Cannes lineup with plenty of Euro-arthouse highlights, but opportunities for increased risk and diversity were missed.

Adapted from David Haig's 2014 play, Anthony Maras' straightforward, well-mounted WWII drama covers perhaps the one aspect of D-Day that hasn't yet been made into a movie: its meteorological planning.

The American scream queen never seems quite at home as a maniacal English governess in Zachary Wigon's flimsy genre hybrid, which reveals all its cards upfront and has nowhere to go from there.

Mads Mikkelsen's turn as a Beatles fan with dissociative identity disorder is the best reason to watch Anders Thomas Jensen's 'The Last Viking.'

With Nicholas Galitzine, Camila Mendes, Idris Elba and Jared Leto, Travis Knight's 'Masters of the Universe' raises a chuckle but is fatally overlong.

By Guy Lodge Nearly 40 years have passed since the colossal financial failure of Cannon Films' live-action feature “ Masters of the

Haley Bennett and Lily Allen star in Tina Gharavi's 'Virginia Woolf's Night & Day,' which refashions its source novel into an inspirational tale.