Peter Bradshaw is a journalist at The Guardian. He specializes in arts and entertainment, with a particular focus on film and cinema, exploring topics related to the film industry and filmmaking. Peter's work has been featured in notable publications such as Esquire magazine, Animation Magazine, The Spectator, and Yahoo News UK.
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Peter Bradshaw's coverage is concentrated on film reviews and entertainment news, without a specific geographic focus. To effectively engage with him, consider offering pitches related to new film releases, notable actors or actresses, major film festivals, and significant developments in the global film industry.
As his primary focus is on reviewing films and covering entertainment news, pitching unique angles for upcoming movies or exclusive insights into the filmmaking process might attract his interest. Additionally, providing access to interviews with renowned figures in the film industry could also be appealing to Peter.
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By: Peter Bradshaw
The third film in Tarik Saleh’s ‘Cairo trilogy’ is a about a washed-up movie star who is bullied into starring in government propaganda
By: Peter Bradshaw
Cannes film festival: Threading together three stories from distinct eras of Spanish life, this narrative triptych is superlatively acted and beautifully shot
By: Peter Bradshaw
As this year’s Cannes ordinaire draws to a close, our chief critic examines what went wrong and predicts the who’ll take home the prizes – including the fabled Braddies
By: Peter Bradshaw
Cannes film festival: Lukas Dhont’s first world war-set gay romance is a heartfelt examination of cowardice and lives lived in secret amid the brutality of battle
By: Peter Bradshaw
Cannes film festival: Valeska Grisebach’s complex drama tracks an archaeologist whose mountain dig is interrupted by an old friend with rather dirtier hands
By: Peter Bradshaw
Cannes film festival: This could be better paced but the crisis which descends on an up-against-it dairy farm is delivered by some very memorable goons
By: Peter Bradshaw
Film about a couple on trial for child abuse isn’t a patch on the director’s previous Palme winner, while other disappointing films seemed to grab the jury’s attention
By: Peter Bradshaw
The Hong Kong action master’s deliriously violent 1990 epic fuses gangland thriller, war movie and tragic melodrama into a spectacular vision of greed and moral collapse
By: Peter Bradshaw
Debut from 20-year-old director examines memory, reality and fear after Chiwetel Ejiofor accesses an infinite series of hidden rooms that all feel creepily askew
By: Peter Bradshaw
Irish writer-director John Carney brilliantly brings together Rudd’s washed up wedding-singer and Jonas’s insecure ex-boyband superstar
