Herbert Paine is a journalist and theater critic for BroadwayWorld.com, specializing in covering local theater productions in Phoenix, Arizona. With a passion for the arts, Herbert provides insightful and comprehensive reviews of various plays and musicals, highlighting the talent and creativity within the local theater community.
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Herbert Paine's coverage is mainly focused on providing reviews of theatrical performances, with a specific focus on local events in Arizona and Phoenix. If you are associated with theater productions, musicals, or plays in these areas, reaching out to Herbert for a review could be beneficial.
Given his extensive coverage of reviews for various performances, it’s clear that he appreciates being informed about upcoming shows and events. Those involved in the entertainment industry can consider reaching out to him when they have new productions or unique performances that may pique his interest.
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Under Lee Cooley's adroit direction, Jeffrey Hatcher's HOLMES AND WATSON is a fast paced and entertaining romp towards an entirely unanticipated climax.
BroadwayWorld Guest Contributor David Appleford returns with his perspective on Hale Centre Theatre's production of TITANIC THE MUSICAL.
By: Herbert Paine
Even before Heidi Schreck was famous for her 2019 Tony-nominated play, WHAT THE CONSTITUTION MEANS TO ME , she was already famous as a two-time Obie
By: Herbert Paine
A GENTLEMAN’S GUIDE TO LOVE AND MURDER is that rarity – a new musical with a score inspired by a theatrical style of the past that will forever remain timeless. And it’s so much fun. At Arizona Broadway Theatre.
By: Herbert Paine
After 24 years under the leadership of Ib Andersen, the Board of Directors of Ballet has announced the appointment of Daniela Cardim as the company's new artistic director, effective July 1st.
The award-winning TV pilot, GOOD GUY WITH A PUN, is an engaging and revelatory narrative about an endearing character whose story line we are eager to follow. Film maker Dmitry Milkin has created a story about resilience and positivity in a digital age.
The Phoenix Theatre Company's edition of FIDDLER ON THE ROOF, directed and choreographed by Staś Kmieć, is good and quite entertaining. In its own right, it follows the tradition of the Broadway musical ~ brisk, easy to consume, emotionally uplifting, and endowed with a highly talented ensemble.
Arizona Theatre Company's production of Sam Shepard's TRUE WEST bristles with raw energy, exposing the myths of the American Dream.
Bravo! To The Phoenix Theatre Company! Guest Contributor David Appleford delivers an enthusiastic thumbs-up to the production of CABARET, directed by Michael Barnard
Written and directed by Conor McPherson, GIRL FROM THE NORTH COUNTRY doesn't feel like other jukebox musicals. If anything, with its engrossing dialog, delivered with a heightened sense of heartbreaking realism from an excellent touring ensemble, you're never quite sure how best to describe the production. Is it a jukebox musical, a drama that wants to be a musical, or a play with music in it?
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