Senior Contributing Editor And Lead Theatre Critic
Herbert Paine is a Senior Contributing Editor and lead theatre critic at BroadwayWorld.com. He specializes in arts and entertainment, with a particular focus on plays and musicals, and has been recognized as the BEST THEATRE CRITIC by PHOENIX magazine in 2022. In addition to his editorial work, Herb shares his insights on various issues through his Substack, "In the Center Lane with Herb Paine."
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Phoenix, United States (Local)
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Herbert Paine's coverage is mainly focused on providing reviews of theatrical performances, with a specific focus on local events in Arizona and Phoenix. If you are associated with theater productions, musicals, or plays in these areas, reaching out to Herbert for a review could be beneficial.
Given his extensive coverage of reviews for various performances, it’s clear that he appreciates being informed about upcoming shows and events. Those involved in the entertainment industry can consider reaching out to him when they have new productions or unique performances that may pique his interest.
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A small, sincere musical that reaches for neither spectacle nor modernity.
At first glance, THE ROOMMATE presents a modest setup: Sharon, a recently divorced Iowa homemaker, adrift in her empty nest, her horizons reduced
Guest contributor David Appleford's review of Childsplay's production of THE MIRACULOUS JOURNEY OF EDWARD TULANE
Theatre Artists Studio's production of Amy Hartman's MAZEL has ended its run, but its themes of remembering, reconciliation, and forgiveness echo beyond the stage.
Guest contributor David Appleford's review of the national touring production of HELL'S KITCHEN at ASU Gammage in Tempe, AZ.
Stray Cat Theatre’s revival seems to rediscover the volatility in the text and the humor that snaps like electricity.
Strong performances, impressive staging, and the sense of fun and theatricality that audiences expect from a jukebox musical built around one of popular culture’s most enduring stars.
There are productions that succeed because the script is strong, and productions that succeed because performers manage to elevate familiar material. Theatre Artists Studio’s production of John Patrick Shanley’s OUTSIDE MULLINGAR achieves something rarer: a complete unity of tone, performance, language, and emotional truth.
By: Herbert Paine
In Joe Bardin's SEEING MAYA , peace doesn't emerge through political rhetoric or grand ideological revelation.
Some productions of DRACULA take the story's gothic atmosphere so seriously they forget the Count himself would find them tedious.
