Ilana Lucas is a professor of English and Communications and a contributing writer for BroadwayWorld.com. Her articles cover a wide range of theater-related topics, including reviews of performances, interviews with theater professionals, and features on the Toronto theater scene. Her work has also been featured in Intermission Magazine TO.
Preston is the artificial intelligence that powers the Intelligent Relations PR platform. Meet Preston
Toronto, Canada (Local)
Not enough data
Ilana Lucas primarily covers theater and performing arts, focusing on play reviews and interviews. She might be interested in pitches related to upcoming plays, musicals, or theater events that offer the opportunity for review or interview coverage. If you have insights into the latest trends or developments in the theater industry, particularly within Toronto's entertainment scene, she could find them valuable.
Considering her predominant focus on reviewing theatre productions and conducting interviews with key figures in the performing arts industry, it would be beneficial to tailor your pitch around these areas. It is important to note that Ilana concentrates her coverage mainly within Toronto's theatrical landscape.
This information evolves through artificial intelligence and human feedback. Improve this profile .
By: Ilana Lucas
Report an editorial error Report a technical issue Editorial code of conduct
By: Ilana Lucas
Having earned a wealth of awards, from the Order of Canada to the Siminovitch Prize, Ronnie Burkett is a skilled artist working in miniature. Ian Jackson/Supplied
Pardon the cliché, but, MAMMA MIA, here we go again. The 1999 ABBA jukebox juggernaut is back again at the Ed Mirvish Theatre, full of
By: Ilana Lucas
The co-creator of EVIL DEAD: THE MUSICAL is promising audiences a bloody good time. Coming back to Toronto for the 10th time since its premiere in
Welcome to the Next Stage Theatre Festival ! Until Sunday, October 27th, its shows will fill Buddies in Bad Times Theatre's cabaret and chamber spaces.
The Next Stage Festival, curated and run by Toronto Fringe, plays at Buddies in Bad Times Theatre until Sunday, October 27.
Writer Rosa Laborde’s keen ear for rapid-fire, entertaining dialogue is matched by Kat Sandler’s fast-paced direction in the show playing at the Tarragon Theatre
What does the US Constitution mean to Canadians? That question loomed large at Soulpepper when it programmed Heidi Schreck 's WHAT THE
I have too much stuff. You probably do, too. The detritus of our lives, stuff multiplies, sometimes seemingly of its own accord.
By: Ilana Lucas
If the 2020s have occasionally uncomfortably reminded you of the 1920s, you’re not alone. Two Toronto theatre companies are currently using work from and about that turbulent decade to comment on present issues. At the Red Sandcastle, The Flare Productions presents Sophie Treadwell’s seminal work of feminist and Expressionist theatre, MACHINAL, a 1928 play very loosely based on the real-life story of Ruth Snyder, executed at Sing Sing Prison for the murder of her husband. At the Theatre Centre, Tall Poppy Productions presents a new work written and directed by Judy Reynolds, THE BEE’S KNEES, a fictional tale of one of the first women to run for Canadian parliament in the early 1920s.
(833) 317-6278 
