Ilana Lucas is a professor of English and Communications and a contributing writer for BroadwayWorld.com. Her articles cover a wide range of theater-related topics, including reviews of performances, interviews with theater professionals, and features on the Toronto theater scene. Her work has also been featured in Intermission Magazine TO.
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Toronto, Canada (Local)
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Ilana Lucas primarily covers theater and performing arts, focusing on play reviews and interviews. She might be interested in pitches related to upcoming plays, musicals, or theater events that offer the opportunity for review or interview coverage. If you have insights into the latest trends or developments in the theater industry, particularly within Toronto's entertainment scene, she could find them valuable.
Considering her predominant focus on reviewing theatre productions and conducting interviews with key figures in the performing arts industry, it would be beneficial to tailor your pitch around these areas. It is important to note that Ilana concentrates her coverage mainly within Toronto's theatrical landscape.
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The Next Stage Festival, curated and run by Toronto Fringe, plays at Buddies in Bad Times Theatre until Sunday, October 27.
Writer Rosa Laborde’s keen ear for rapid-fire, entertaining dialogue is matched by Kat Sandler’s fast-paced direction in the show playing at the Tarragon Theatre
What does the US Constitution mean to Canadians? That question loomed large at Soulpepper when it programmed Heidi Schreck 's WHAT THE
I have too much stuff. You probably do, too. The detritus of our lives, stuff multiplies, sometimes seemingly of its own accord.
By: Ilana Lucas
If the 2020s have occasionally uncomfortably reminded you of the 1920s, you’re not alone. Two Toronto theatre companies are currently using work from and about that turbulent decade to comment on present issues. At the Red Sandcastle, The Flare Productions presents Sophie Treadwell’s seminal work of feminist and Expressionist theatre, MACHINAL, a 1928 play very loosely based on the real-life story of Ruth Snyder, executed at Sing Sing Prison for the murder of her husband. At the Theatre Centre, Tall Poppy Productions presents a new work written and directed by Judy Reynolds, THE BEE’S KNEES, a fictional tale of one of the first women to run for Canadian parliament in the early 1920s.
By: Ilana Lucas
On November 29, Harbourfront's Fleck Dance Theatre will welcome two performances of RAVEN MOTHER, the Toronto premiere of a full-length multimedia
By: Ilana Lucas
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“Who's afraid?” says advertising executive June (Lisa Ryder) to her younger husband Rene (Ali Kazmi) as they weather an apocalyptic-sounding storm in their palatial, marble-floored home.
Why do we want to know the future, and does that knowledge actually help us in the present?
‘TWAS THE NIGHT BEFORE Christmas, and Cirque du Soleil Knows what this city needs to be festive and gay With a story which points out that wonders abound
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